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Digital Prints

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20<br />

Mastering <strong>Digital</strong> Printing<br />

The author’s digital print, Pelican Jetty.<br />

© 2001-2004 Harald Johnson<br />

print production methods require the entire print run to be produced all at once. The result<br />

is a pile of inventory that probably took a pile of cash to make (also known as the “Now<br />

What Do I Do with that Stack of <strong>Prints</strong> in My Garage?” syndrome).<br />

Consistency<br />

Because digital source files are stored on computer hard disks or on other digital storage<br />

media, they can be reused over time to produce identical results, assuming the media, inks,<br />

and hardware/software have not changed. In theory, the first and last prints in an edition<br />

of 100 produced over a ten-year period should look identical.<br />

Storage<br />

Related to the above, digital art takes little physical room when stored on disk. <strong>Digital</strong> files<br />

can be long-lasting if the digital data remains intact and there is a way to read it. Another<br />

benefit is for artists working with traditional media who can have their completed originals<br />

scanned and stored for future use in print editions. Not only does this safeguard the<br />

image, but it allows artists to sell their originals without having to worry about reclaiming<br />

them later for reproductions.

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