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Digital Prints

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368<br />

Mastering <strong>Digital</strong> Printing<br />

The hypnotizing movement of light on water was the inspiration for this installation in<br />

the library of a new college campus located just outside Seattle (see Figure 11.17). The<br />

five 36-inch square panels utilize lenticular technology to capture movement, transformation,<br />

and depth.<br />

Schminke began Sound<br />

Waves by photographing<br />

light playing on waves at<br />

various locations around<br />

Puget Sound. She created<br />

layers of water shapes based<br />

upon these photo studies<br />

(see Figure 11.18). Linear<br />

seaweed forms photographed<br />

on a beach at low<br />

tide were integrated into<br />

each panel to create a minimal<br />

focal point and help<br />

define the illusion of deep space. Hand-drawn light reflections were added in such a way<br />

that the viewer would see them for only a moment as they passed by the installation, thus<br />

mimicking the fugitive nature of light dancing on water.<br />

Next, a series of frames (like frames of an animation) were created from the layers. The<br />

frames were interlaced into a single image using Flip! software and printed on an Epson<br />

Stylus Pro 9500 large-format printer (see Figure 11.19).<br />

MicroLens Technology, Inc. donated a portion of the lens as well as the lamination of the<br />

print to the lens. As viewers pass by the finished art, each of the 24 frames is viewed in<br />

quick succession, creating an illusion of depth and movement.<br />

Figure 11.17 Permanent installation<br />

by Karin Schminke at the University of<br />

Washington, Bothel/Cascadia<br />

Community College Campus.<br />

Figure 11.18 Three sample source<br />

images and layers used in creating<br />

Sound Waves #5.

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