Digital Prints

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386 Index etching, 17 EternaStor, 301 Everett, Eric, 153–154 exotic paper, 243 Extensis Portfolio, 112 eyeballing calibration, 130 Eye-One Photo profiling system, 140 Eye-One Publish, 269 EZ <strong>Prints</strong>, 334 F F-16 chip resetter, 222 fabric printing, 370 fabrics, 243–244 Falcon II piezoelectric printer, 210 faux mats, 295 Few Scanning Tips, A (Fulton), 79 file extensions, 110 file formats, 108–109 files opening and converting, 257 ppi-to-lpi ratio, 41 resolution, 41–43 size of, 42 storing, 111–112 transporting, 111 film aspect ratio of common sizes, 297 downsides to scanning at higher resolution, 82 resolution, 82 scanning, 82 sending for processing and scanning, 333 film laminates, 291–292 film photography, 91–93 film scanners higher optical resolutions, 87 resolution, 78 upgrading software, 87–88 filters, 105–106 Filters Unlimited plug-in, 106 final prints, 275–276 fine-art papers, 229–231 FinePix S3 Pro camera, 95 fingerprint test, 159 finishing prints, 279 adding chop, 282 deckling edges, 281–282 drying prints, 280 embellishing prints, 284 signing and numbering, 283 flatbed scanners, 88 higher-end professional, 90–91 resolution, 78 flat-panel LCD monitors, 117 Flextight film scanners, 87 float-mounting, 293 fluorescent light, 159 FM (frequency modulated) screening, 55–56 FM stair interpolation, 346 Foamcore, 299 fold-a-book, 360 Forrest, Craig, 185 Foveon X3 image sensor, 94 Frame Destination, Inc., 296 Frame Destination Web site, 298 Frame Fit, 296 frames sizes, 296 unusual, 298–299 framing, 296–297 acrylic, 298 alternatives, 298–300 aluminum, 300 glass, 298 glazing, 298 plexiglass, 300 Fredrix, 242 free hosting services, 334–335 Freehand, 99, 101 Freer, Ursula, 24–25 fresco secco paintings, 24 Frontiers, 356 Fuji, 332 Fuji Crystal Archive paper, 194, 330 Fuji Frontier, 26, 62, 315, 331 Fuji Luma II digital back, 96 Fuji Pictography or Frontierequipped lab, 334 Fuji Pictography printer, 65 Fujix prints, 65 full-size mockup, 261–262 Fulton, Wayne, 77, 79 Futures Fabrics, 244 Futures Ink Wide Gamut dyebased inkset, 215 Futures Inkjet Technology Web site, 220 Futures Wales Ltd., 215, 219, 232, 243–244, 370 Futures/EIC, 220 G Gainsborough, 244 gamma, 128 gas fading, 150, 158 gas ghosting, 281 Gatorfoam, 299 GEM (Kodak) plug-ins, 105 Generations brand, 217 generic printer profiles, 136–138 GF (genuine fractals), 346 Ghostscript, 342 Giclée PrintMakerFA printer, 11, 48, 208 giclées, 11, 32–33 curating, 328 digitizing image, 327 finishing, 328 image editing and color correcting, 327 planning print, 326–327 printing, 328 proofing, 328 shipping, 329 storing, 329 workflow, 326–329 GIF format, 109 GIMP (GNU Image Manipulation Program), 101, 104 Gimp-Print, 342 Gimp-Print Web site, 342 glazing, 298 gloss differential, 216 Glossy Film, 372 glossy papers and pigment inks, 216 Goldberg, Gary, 23, 335 Golden, Helen, 25–26
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MASTERING Digital Printing Second E
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All trademarks are the property of
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Foreword In early 1989, I was facin
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About the Author Harald Johnson has
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2 3 4 Understanding Digital Printin
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7 8 8. What About Printer Software,
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PART III : BEYOND THE BASICS 10 11
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Whom This Book Is For Written for p
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This page intentionally left blank
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1 Navigating the Digital Landscape
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manager, would always hit the local
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Wehrenberg was already familiar wit
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Chapter 1 ■ Navigating the Digita
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Computers, Art, and Printmaking: A
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element, the basic unit of image in
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Photographic Prints Photographers h
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Liquid emulsions, image transfers,
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Printing Cousins: Offset and Digita
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Larger Sizes Size is not much of an
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Some of the photographers who are e
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New Mexico artist Ursula Freer has
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Schools are also promoting digital
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Disadvantages of Self-Printing ■
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Print Council of America’s defini
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One problem, of course, is that whe
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38 Mastering Digital Printing That
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40 Mastering Digital Printing Digit
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42 Mastering Digital Printing Howev
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44 Mastering Digital Printing (For
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46 Mastering Digital Printing 1/288
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48 Mastering Digital Printing Since
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50 Mastering Digital Printing Viewi
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52 Mastering Digital Printing Table
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54 Mastering Digital Printing At th
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56 Mastering Digital Printing This
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58 Mastering Digital Printing Figur
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60 Mastering Digital Printing just
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62 Mastering Digital Printing The O
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64 Mastering Digital Printing Examp
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66 Mastering Digital Printing dry,
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68 Mastering Digital Printing yello
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70 Mastering Digital Printing Therm
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72 Mastering Digital Printing Piezo
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3 Creating and Processing the Image
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(Most modern scanners are 12-bit sc
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the bed of the scanner. They don’
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want to scale the image’s printed
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Testing Scanner Resolutions for Pri
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Sending Out for Scans Chapter 3 ■
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did when viewing the film on the li
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Several manufacturers such as Micro
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“The Creo EverSmart scanner has b
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people, and now that we’re at the
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and decompressed file at 300 ppi wo
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BetterLight Scan Backs One way to g
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As with other painting programs, St
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Image Editing Once you have the raw
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From a high-quality, digital printi
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Qimage Qimage fills it own unique c
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image in Chapter 8. However, this i
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with all the layers and adjustments
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JPEG2000 supposedly has the highest
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Canto Cumulus differs from Extensis
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116 Mastering Digital Printing When
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118 Mastering Digital Printing Figu
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120 Mastering Digital Printing A co
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122 Mastering Digital Printing RGB
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124 Mastering Digital Printing Many
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126 Mastering Digital Printing The
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130 Mastering Digital Printing incl
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132 Mastering Digital Printing What
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134 Mastering Digital Printing Line
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136 Mastering Digital Printing A Ro
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138 Mastering Digital Printing Also
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140 Mastering Digital Printing Prof
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142 Mastering Digital Printing 3. N
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5 Determining Print Permanence Alth
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Matz says, “Everything will chang
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Temperature Any student of chemistr
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The Dreaded Orange Shift Acidity As
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this: real-world testing under extr
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some infamous tests done with inkje
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What Are Endpoints, and Why Are The
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■ Waterfastness (for waterfastnes
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as its chairperson and Henry Wilhel
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Who’s Doing the Testing? There ar
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weathering tests as well as natural
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(Black-and-white prints made with t
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RH; depending on the specific type
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Others who do their own testing inc
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3. Set up test conditions and appar
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Maximize Print Permanence Depending
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Knowing what we now know about the
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6 Selecting an Inkjet Printer Inkje
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Want top-end photographic output wi
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the Epson Stylus Photo 2200, the ma
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3. What’s the Print Quality? In a
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4. What Different Inks and Media Ca
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hit the market.) Another important
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For wide-format, most people prefer
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6. Speed: How Long Does It Take to
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it, you can also take advantage of
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Table 6.3 Noise Levels of Selected
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Printer Management Software Today
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Only a few desktop inkjets come wit
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Media: The second important element
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consumable costs, depending on whic
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Epson: Epson is a dominant force in
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214 Mastering Digital Printing the
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218 Mastering Digital Printing (tes
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220 Mastering Digital Printing Tabl
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222 Mastering Digital Printing Fool
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224 Mastering Digital Printing NoMo
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228 Mastering Digital Printing Type
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230 Mastering Digital Printing Prin
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232 Mastering Digital Printing coat
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236 Mastering Digital Printing Size
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238 Mastering Digital Printing How
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242 Mastering Digital Printing Alte
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244 Mastering Digital Printing Futu
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246 Mastering Digital Printing You
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8 Making a Great Inkjet Print I can
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Platforms, Operating Systems, and C
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Chapter 8 ■ Making a Great Inkjet
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Digital Graphics Tablets Once artis
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2. That you have scanned in, captur
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Step 4: Select Image Settings I fir
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The 11 steps in my inkjet printmaki
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Step 3: Edit the Image The first th
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Then I do a trick. The classic Fade
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Step 7: Select Image Settings In Ph
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Option B: Using a Built-In ICC Prof
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Chapter 8 ■ Making a Great Inkjet
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Keeping Track of Tests Step 10: Mak
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I have one more thing to do before
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280 Mastering Digital Printing Dryi
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282 Mastering Digital Printing Here
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284 Mastering Digital Printing Embe
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286 Mastering Digital Printing Whil
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288 Mastering Digital Printing Liqu
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290 Mastering Digital Printing Spra
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292 Mastering Digital Printing (pol
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294 Mastering Digital Printing Buff
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296 Mastering Digital Printing Fram
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298 Mastering Digital Printing Thes
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300 Mastering Digital Printing Plex
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302 Mastering Digital Printing Albu
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304 Mastering Digital Printing Arti
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Part III Beyond the Basics
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312 Mastering Digital Printing And
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314 Mastering Digital Printing This
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316 Mastering Digital Printing “I
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318 Mastering Digital Printing Lown
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320 Mastering Digital Printing gicl
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322 Mastering Digital Printing ‘D
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324 Mastering Digital Printing I Ha
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326 Mastering Digital Printing “T
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328 Mastering Digital Printing Step
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330 Mastering Digital Printing Solu
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332 Mastering Digital Printing what
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334 Mastering Digital Printing Some
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11 Special Printing Techniques Whil
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■ Grayscale: Some specialized RIP
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for producing black-and-white print
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Printing Big! With super-sized prin
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This is how ceramic tile murals are
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“It’s important to note that al
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And finally, “familiarity with da
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RGB > Grayscale > RGB This is simil
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can start. Use the Source Channels
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One thing that some monochrome prin
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HP then raised the bar even further
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Digital artist Teri Brudnak uses th
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Page 762: Presentation Portfolios: In additio
Page 766: inkAID Precoats Chapter 11 ■ Spec
Page 770: Lenticular Prints A lenticular imag
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Page 778: Printing on Metal, Wood Veneers, an
Page 782: You have now reached the end of thi
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Page 796: Index 1 /3 Rule, 41 1-bit images, 3
Page 800: 382 Index CMYK (Cyan, Magenta, Yell
Page 804: 384 Index digital minilabs, 62 digi
Page 810: Gottsegen, Mark, 161, 174, 287 Gova
Page 814: OEM, 218-227 pigment-based inks, 18
Page 818: dumb (non-calibrator), 130 gamma, 1
Page 822: ppi-to-lpi ratio, 41 PPPI (pixels p
Page 826: prints, 14. See also digital prints
Page 830: Staples Fine Art, 33, 322 Stein, Ba
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