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Digital Prints

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Testing Scanner Resolutions for Print Quality<br />

Reading words and theories about scanning resolution guidelines are one thing, but seeing<br />

and evaluating printed test results in terms of detail rendering and overall image quality are<br />

even more valuable. I asked advanced-amateur photographer Mark Segal in Toronto to test<br />

two different scenarios with a film scanner: (A) starting at optical maximum resolution, at<br />

what point does the resulting printed image start to deteriorate? and (B) can you really see<br />

differences between odd and even integer divisor resolutions on prints?<br />

To do the tests, Segal took a 35mm color negative he shot of the Cairo Tower (Egypt) a<br />

few years ago and scanned it on his Konica Minolta DiMAGE Scan Elite 5400 film scanner<br />

scaled to print 6.7 by 10 inches on his EPSON Stylus Pro 4000 desktop inkjet printer.<br />

This is one of his normal workflows. This image (see Figure 3.5) was selected because its<br />

details, diagonals, highlights, and shadows lend themselves well to observing the consequences<br />

of different resolution settings.<br />

The scanned images were produced as “scanner raw”<br />

files with no sharpening or repairs and no color correction,<br />

and they were output in 8-bit mode and printed<br />

at 1440 dpi. What you see shown are scans of the actual<br />

prints made on the Epson 4000.<br />

(Note: Konica Minolta has a slightly different way of talking<br />

about scan resolution terminology and of setting up<br />

their scanner software. There are separate Input and<br />

Output resolution list boxes (see Figure 3.6). The Input<br />

resolution shows how many pixels per inch are scanned.<br />

The Output resolution shows what the resolution of the<br />

printed image would be for the print size and magnification<br />

factor indicated. What ultimately matters with resolution<br />

is this Output resolution or how many pixels<br />

there are spread across how many inches.)<br />

In Test A, Segal scanned his negative at several Input resolutions starting at the maximum<br />

(5400 dpi) and decreasing them with each scan, maintaining his desired output sizing<br />

(6.7 × 10 inches). As you can see in the cropped and enlarged portions of the resulting<br />

prints, the images only start to degrade at his 1704/240 dpi test with the biggest deterioration<br />

at 860/120 (Figure 3.7).<br />

For Test B, Segal tested an EVEN integer divisor of 5400 dpi (2700/383 dpi), an ODD<br />

integer divisor (1800/255 dpi), and a non-integer resolution of 2800/395, again with all<br />

scaled to print at the same desired output size (see Figure 3.8). Studied at a normal viewing<br />

distance, the ODD 1800/255 is slightly inferior to the other two, although it’s unclear<br />

if that’s a function of its odd-integerness or of its lower resolution. The other two look identical.<br />

However, looking through a 6x magnifier, there is an almost imperceptible improvement<br />

with the 2700/383 over the 2800/395, which indicates that there actually is a<br />

difference when scanning with integer divisors, although the practical benefit is debatable.<br />

So what’s the conclusion of these tests? Says Segal in his analysis, “If you don’t look at<br />

prints with a powerful magnifier, there is a wide latitude of scanner settings to produce<br />

similar quality results.”<br />

Chapter 3 ■ Creating and Processing the Image 83<br />

Figure 3.5 The test image of Cairo<br />

Tower in the center of Cairo.<br />

Courtesy of Mark Segal

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