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Digital Prints

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40<br />

Mastering <strong>Digital</strong> Printing<br />

<strong>Digital</strong> Equivalents<br />

8 bits=1 byte<br />

1024* bytes=1 kilobyte (KB)<br />

1024 kilobytes=1 megabyte (MB)<br />

1024 megabytes=1 gigabyte (GB)<br />

1024 gigabytes=1 terabyte (TB)<br />

*it’s 1024 and not 1000 because of the way the binary system works with its powers of two—in this case, 210 .<br />

So far, we’ve only talked about bits in terms of black, white, or gray. Since most people<br />

work in color, you now have to apply the same thinking to each color component of the<br />

image. So, in a 24-bit (8 bits per color) RGB image, there are 256 possible values of Red,<br />

256 of Green, and 256 of Blue, for a grand total of—are you ready?—16,777,216 possible<br />

values, tones, or colors for each pixel (see Figure 2.4). A CMYK color image is described<br />

as 32-bit, or one 8-bit channel for each of the four printing colors: cyan, magenta, yellow,<br />

and black or “K.” There is no more color information with CMYK; it’s just allocated<br />

differently than RGB. (For more about color and color models, see Chapter 4.)<br />

R G B<br />

Whether an image has one, two, four, eight, or even more bits of information per pixel per<br />

color determines its bit depth. The higher the bit depth, the more detailed and realistic the<br />

image. (You don’t have to stop at 8 bits. Current input technology allows for up to 16 bits<br />

of information per channel—see Chapter 3 for the pluses and minuses of going “high-bit”.)<br />

Figure 2.4 Color bit depth.

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