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Digital Prints

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356<br />

Mastering <strong>Digital</strong> Printing<br />

Using Specialized Drivers and Software<br />

Some of the highest-quality black-and-white digital prints being made today are the result<br />

of specialized printer drivers or RIPs. Popular examples include: ImagePrint (ColorByte),<br />

InkJet Control/OpenPrintmaker (BowHaus), PixelPixasso (R9), QuadToneRIP (Roy<br />

Harrington), and StudioPrint (ErgoSoft).<br />

Using Specialized Printers<br />

Non-inkjet printers have their own quirks when it comes to monochrome printing. “With<br />

LightJets, Lambdas, Frontiers, and other similar digital imaging devices,” explains C.<br />

David Tobie, “the trick for black and white is to get a really accurate color profile for the<br />

device made and edit that profile yourself, if necessary, to nail the black-and-white or near<br />

black-and-white tones you want. And then apply that profile to your images before sending<br />

them out for printing on the machine you have built the profile for.”<br />

Inkjet is not the only way to print digital black-and-white, but for many, it’s currently the<br />

method of choice. While there are no (at this writing) true, all black-and-white OEM<br />

inkjet printers, Epson raised some eyebrows with the introduction of its UltraChrome<br />

inkjet printer line a couple of years ago. As already mentioned, the Epson Stylus Photo<br />

2200 and Stylus Pro 7600/9600 were groundbreaking by including the first use of seven<br />

ink colors (in separate tanks) with two different blacks—one full-strength, one diluted.<br />

Brooklyn, New York, fine-art<br />

photographer Amadou Diallo uses<br />

ErgoSoft’s StudioPrint RIP to produce<br />

his digital black-and-white prints on an<br />

Epson Stylus Pro 9000 using<br />

PiezoTone inks. Sunflower is shown.<br />

“With StudioPrint,” says Diallo,<br />

“quadtone printmakers now have<br />

unprecedented control over their<br />

printer’s behavior combined with the<br />

production gains offered by<br />

professional layout features. The output<br />

is among some of the finest printing<br />

I’ve ever done, darkroom or digital.”<br />

© 2001 Amadou Diallo<br />

www.diallophotography.com

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