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Digital Prints

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116<br />

Mastering <strong>Digital</strong> Printing<br />

When you add this to the idea of “visual blending” covered in Chapter 2, you begin to<br />

understand how we are able to print and view color images.<br />

With subtractive color, light is reflected off objects that absorb some of its wavelengths and<br />

let others continue on. Our eyes interpret those remaining wavelengths as color. In other<br />

words, the color of an image on a piece of paper is what’s left over after the ink and the<br />

paper have absorbed or subtracted certain wavelengths (see Figure 4.2). If green and red<br />

are absorbed, what we end up seeing is called blue, which is in the 400–500 nm range. If<br />

cyan and magenta are absorbed, we see yellow. If we keep subtracting wavelengths by piling<br />

on more dyes or pigments, we end up with black. (See Chapter 7 for a more in-depth<br />

look at printing inks and color.)<br />

Figure 4.1 Light is only a small sliver<br />

of the electromagnetic spectrum.<br />

Figure 4.2 When full-spectrum white<br />

light that contains all wavelengths (left)<br />

strikes the sky portion of the print, the<br />

red wavelengths are absorbed<br />

(subtracted), and the green and blue<br />

ones are reflected back to produce the<br />

cyan color we call “sky blue.” All the<br />

wavelengths are reflected back from the<br />

white clouds since there are no dyes or<br />

pigments there.

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