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MASTERING Digital Printing Second E
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All trademarks are the property of
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Foreword In early 1989, I was facin
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About the Author Harald Johnson has
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2 3 4 Understanding Digital Printin
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7 8 8. What About Printer Software,
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PART III : BEYOND THE BASICS 10 11
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Whom This Book Is For Written for p
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1 Navigating the Digital Landscape
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manager, would always hit the local
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Wehrenberg was already familiar wit
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Chapter 1 ■ Navigating the Digita
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Computers, Art, and Printmaking: A
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element, the basic unit of image in
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Photographic Prints Photographers h
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Liquid emulsions, image transfers,
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Printing Cousins: Offset and Digita
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Larger Sizes Size is not much of an
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- Page 86: New Mexico artist Ursula Freer has
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- Page 94: Disadvantages of Self-Printing ■
- Page 98: Print Council of America’s defini
- Page 102: One problem, of course, is that whe
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- Page 134: What About Type? Any type or text t
- Page 138: Visual Acuity & Maximum Resolving P
- Page 142: the cloudy smoothness of the C-prin
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- Page 154: After you’ve made your selections
- Page 158: Chapter 2 ■ Understanding Digital
- Page 162: Digital Photo Print: For What and f
- Page 166: Fuji Pictrography Many top photo la
- Page 170: Electrophotography: For What and fo
- Page 174: Wide-format, thermal inkjet printer
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Solid Ink: For What and for Whom? W
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76 Mastering Digital Printing Scann
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78 Mastering Digital Printing they
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80 Mastering Digital Printing ■ B
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82 Mastering Digital Printing the n
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84 Mastering Digital Printing I agr
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86 Mastering Digital Printing Drum
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88 Mastering Digital Printing VueSc
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90 Mastering Digital Printing “Sc
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92 Mastering Digital Printing The o
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94 Mastering Digital Printing While
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96 Mastering Digital Printing You b
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98 Mastering Digital Printing Paint
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100 Mastering Digital Printing Natu
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102 Mastering Digital Printing vari
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104 Mastering Digital Printing Pain
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106 Mastering Digital Printing ■
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108 Mastering Digital Printing file
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110 Mastering Digital Printing Imag
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112 Mastering Digital Printing If y
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4 Understanding and Managing Color
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The subtractive primary colors are
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Color Attributes One way of definin
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color geeky, you’ll want to explo
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ColorMatch RGB Originally designed
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2. If you’re using a print-servic
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Welcome to ICC Color Management In
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What Is Your Intent? Monitor profil
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Hardware-based profile-generating p
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it is not. In the context of color
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Here’s what happens behind the sc
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Chapter 4 ■ Understanding and Man
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Custom, remote profiles can be purc
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1. Open and Convert A color-managed
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■ The validity and quality of thi
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146 Mastering Digital Printing Digi
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148 Mastering Digital Printing The
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150 Mastering Digital Printing What
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152 Mastering Digital Printing Cata
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154 Mastering Digital Printing What
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156 Mastering Digital Printing Visu
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158 Mastering Digital Printing The
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160 Mastering Digital Printing Acce
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162 Mastering Digital Printing Sinc
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164 Mastering Digital Printing extr
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166 Mastering Digital Printing Tabl
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168 Mastering Digital Printing Tabl
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170 Mastering Digital Printing Koda
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172 Mastering Digital Printing Stud
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174 Mastering Digital Printing Reme
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176 Mastering Digital Printing Coat
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Part II The Main Event: Inkjet Prin
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182 Mastering Digital Printing Tabl
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184 Mastering Digital Printing What
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186 Mastering Digital Printing 2. H
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188 Mastering Digital Printing Six,
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190 Mastering Digital Printing For
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192 Mastering Digital Printing The
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194 Mastering Digital Printing Base
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196 Mastering Digital Printing Most
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198 Mastering Digital Printing For
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200 Mastering Digital Printing Conn
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202 Mastering Digital Printing Simi
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204 Mastering Digital Printing 9. W
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206 Mastering Digital Printing Wide
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208 Mastering Digital Printing OEM
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210 Mastering Digital Printing Mima
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7 Choosing Your Consumables Anyone
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The reason I say “in most cases
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the inks tend to get lost in the pa
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Warning: Putting third-party inks i
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You can also buy virgin, empty cart
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MediaStreet Niagara II and III Cont
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Bulk Ink for Wide-Format Third-Part
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seemingly identical ink cartridges
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What sets uncoated fine-art papers
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There are so many coated inkjet pap
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Deciding on Paper Choosing among al
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Chapter 7 ■ Choosing Your Consuma
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Color: The whiter the substrate, th
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Brightness: Brightness is usually g
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Cost: I’ve already described ink
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Exotic Papers: There are lots of sp
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major manufacturer/distributor webs
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250 Mastering Digital Printing Phot
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252 Mastering Digital Printing Conn
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254 Mastering Digital Printing Besi
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256 Mastering Digital Printing RIPs
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258 Mastering Digital Printing Step
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260 Mastering Digital Printing Maki
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262 Mastering Digital Printing A mo
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264 Mastering Digital Printing Step
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266 Mastering Digital Printing give
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268 Mastering Digital Printing The
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270 Mastering Digital Printing Medi
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272 Mastering Digital Printing Step
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274 Mastering Digital Printing to p
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276 Mastering Digital Printing A We
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9 Finishing and Displaying Your Pri
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Gas Ghosting In 2003, photographers
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Signing and Numbering If you’re p
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Coating Prints The decision of whet
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Other reasons to coat prints includ
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Table 9.1 Sample Liquid/Spray Coati
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into the tray and then pass your pr
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Mounting and Framing Prints Mountin
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Mats: If loose or hanging edges are
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Another problem for photographers i
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specific place (Paris, Hong Kong, M
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Storing and Shipping Prints After p
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the print had turned a bright yello
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Display Permanence We covered print
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The print finishing points made abo
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10 Using a Print Service There are
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A seasoned printing professional ha
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Size and Practicality If you need l
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Experience? How long have they been
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providing a digital file. If it’s
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Basic Print Cost: Digital printmake
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As you can imagine, this is a very
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Disagreeing with me on this is digi
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“To keep the cost per print to a
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Step 7: Shipping and Storing The jo
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Johnson explains that “while the
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D-Lab, LightJet, Lambda, and Chromi
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Pictage offers a similar service fo
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338 Mastering Digital Printing ■
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340 Mastering Digital Printing What
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342 Mastering Digital Printing Gimp
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344 Mastering Digital Printing Appl
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346 Mastering Digital Printing Chea
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348 Mastering Digital Printing Look
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350 Mastering Digital Printing and
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352 Mastering Digital Printing same
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354 Mastering Digital Printing RGB
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356 Mastering Digital Printing Usin
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358 Mastering Digital Printing Beyo
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360 Mastering Digital Printing Cust
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362 Mastering Digital Printing Bind
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364 Mastering Digital Printing Digi
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366 Mastering Digital Printing Clea
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368 Mastering Digital Printing The
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370 Mastering Digital Printing Fabr
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372 Mastering Digital Printing Digi
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Appendix
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Courtesy of Bogdanoff Gallery/www.b
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Blackwell, Benjamin, 97 Blue Wool L
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Creo EverSmart scanner, 91 Creo iQs
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dye sublimation printers, 43, 58-59
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Gottsegen, Mark, 161, 174, 287 Gova
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OEM, 218-227 pigment-based inks, 18
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dumb (non-calibrator), 130 gamma, 1
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ppi-to-lpi ratio, 41 PPPI (pixels p
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prints, 14. See also digital prints
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Staples Fine Art, 33, 322 Stein, Ba