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Digital Prints

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Some of the photographers who are emerging from their smelly darkrooms and into the<br />

digital light are merely using digital printing to output their existing work with little intervention.<br />

Others are playing a more active digital role, either shooting with a digital camera<br />

or scanning in their film-based images before beginning the work of color correcting,<br />

retouching, and in general, improving what they have. Many are taking full advantage of<br />

what digital imaging and especially printing can offer them.<br />

A good example is Gary Goldberg, a new Toronto resident (from Florida) who covers a<br />

lot of bases in the digital game. He’s a commercial photographer now shooting all-digitally<br />

and working with ad agencies, record companies, and other types of businesses to<br />

create his portrait, fashion, and advertising images. However, he also photographs weddings,<br />

does digital restorations of damaged photographs, and markets his own fine-art<br />

prints at art shows and through online services. And it’s those last two job categories, in<br />

addition to printing his portfolios, that put his several inkjet printers to most use.<br />

Goldberg is also not hesitant in using the online display and marketing services of<br />

Shutterfly.com and Pictage.com, both of whom utilize the digital printing technologies<br />

covered in this book for their products (read more about this in Chapter 10).<br />

Traditional Artists<br />

The painters, watercolorists, and sketch and pastel artists who have taken up digital printing<br />

techniques to publish and reproduce their work are currently producing a large number<br />

of commercially sold, digital prints. Artists can either have a transparency made of<br />

their original work, take it to a digital printmaker for direct digital scanning, or digitize it<br />

themselves with their own digital camera or scanner (if the original is small enough). The<br />

digital file is then typically printed on either paper (watercolors, drawings, or pastels) or<br />

canvas (oils or acrylics) to produce an edition.<br />

Chapter 1 ■ Navigating the <strong>Digital</strong> Landscape 23<br />

Left: Blue Bird, available as a fresco and also as a limited edition giclée and hand-embellished print. Right: Traditional artist Steve Bogdanoff<br />

works on one of his unique frescoes in his New Orleans studio.<br />

Courtesy of Bogdanoff Gallery/www.bogdanoff.com

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