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Digital Prints

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158<br />

Mastering <strong>Digital</strong> Printing<br />

The light doesn’t have to be a high-noon bombardment of Florida sunshine either.<br />

Although direct and indirect sunlight or unfiltered fluorescent light tends to accelerate<br />

fading more than incandescent light, the weak light from a 75-watt bulb hanging near a<br />

print can be enough to fade it as well. It all depends on the duration and the intensity of<br />

the light exposure. High intensity for a short time has the same effect—in theory—as low<br />

intensity for a long time. (See reciprocity failure above.)<br />

One problem with lightfast testing is that it may or may not take into account all the other<br />

factors that cause prints to fail. Is it really just the light that makes a print fade? Or is it<br />

also the humidity, the temperature, and the air quality? As you might expect, it’s usually<br />

all those things and possibly even others that have yet to be discovered.<br />

Another problem with lightfast tests is that the methods and test protocols vary from tester<br />

to tester. From endpoints to reference display conditions and light-source choices, there<br />

is no uniformly accepted way to conduct a lightfastness test (also see more about this in<br />

“Your Mileage May Vary”). Creative Memories’ Dr. Mark Mizen has a good analogy to<br />

fit this state of affairs: “It’s as if Ford decided to measure gas mileage only going downhill<br />

while Chrysler chose a level road. Both methods would give a gas mileage, yet the numbers<br />

would be very different and would not allow a fair comparison.”<br />

You can see why this testing business is so tricky.<br />

Other Tests<br />

Other important tests that are currently being carried out or being developed by standards<br />

groups include:<br />

■ Gas Fading (for air pollutants, air flow, and ozone)<br />

Photographer Stephen Livick and<br />

colleague Bill Waterson collaborate on<br />

sunlight fade tests. This image shows<br />

the results of 700 hours of full sun<br />

exposure (approximating 70 years on a<br />

275-lux, daylight-illuminated interior<br />

wall) on inkjet prints with five different<br />

protective coatings. The original,<br />

uncoated strip is at far right (A7).<br />

According to Livick, the white spots are<br />

from the pigment or manufacturer’s<br />

white base simply flaking off.<br />

Courtesy of Stephen Livick<br />

www.livick.com<br />

and Bill Waterson<br />

waterson@ainet.com

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