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Digital Prints

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Brightness: Brightness is usually given, if at all, in terms of a rating scale of 1–100, with<br />

100 being the brightest. Keep in mind that some papers achieve a higher brightness by<br />

adding optical brighteners.<br />

Optical Brighteners: Optical brightening agents (OBAs) are commonly used in the<br />

paper, textile, and detergent industries. As the name implies, they’re also added to inkjet<br />

printing papers and coatings to make them whiter and brighter. The way OBAs work<br />

is by absorbing UV radiation and fluorescing (re-emitting as visible light). A common<br />

OBA is titanium dioxide, which is added to the paper’s outer receptor coating. You can<br />

tell if a paper has OBAs added by turning on a portable “black light” in a dark room<br />

and running it over the paper. If OBAs are present, the paper will appear to glow while<br />

a non-optical-brightened paper will appear dark or “optically dead” because no light is<br />

reflected. (This gets more complicated with a 100%-cotton paper that has no OBAs<br />

added to its coating but may have OBAs in the substrate if the original cotton trimmings<br />

contained optical brighteners.)<br />

It’s unclear what long-term effects OBAs have on print permanence. Some believe that<br />

they can possibly contribute to print deterioration, but others disagree, saying first that<br />

not all OBAs are the same, and then that the worst that can happen is a bright white<br />

paper ending up being less white (yellower) as the brightener loses its ability to fluoresce<br />

over time. According to Epson, all its standard papers have optical brighteners to<br />

improve whiteness and to inhibit the yellowing of the paper. Some paper suppliers will<br />

offer a brightened paper and a “natural” unbrightened one as an alternative. Moab’s<br />

Entrada is an example.<br />

Opacity: This becomes an issue with thinner papers, and you see this measurement on<br />

many from Epson plus a few third-party suppliers. Opacity means how opaque the<br />

paper is, or how much “show-through” (how much you can see the image underneath<br />

when stacked) there is. It’s measured with a simple meter; the higher the opacity figure<br />

up to 100, the more opaque the paper. The most common application where opacity<br />

is important is in the making of specialty books and albums.<br />

Dmax: Dmax, the maximum density reading possible at the highest black ink levels,<br />

depends on the type of inks used so this parameter may not be readily available.<br />

However, online discussion lists and other sources sometimes compare the Dmax of<br />

different papers with different inks, so if you can find the numbers (the higher the better),<br />

pay attention, especially if you like deep, rich blacks and shadows. In general, the<br />

smoother the finish, the higher the Dmax reading, all others being equal. Glossy papers<br />

typically have higher Dmax numbers than watercolor papers; dye inks higher than pigments.<br />

Many sophisticated printmakers use devices such as densitometers and spectrophotometers<br />

to calculate their own Dmax measurements with various inksets. See<br />

Table 7.5 for one example.<br />

Chapter 7 ■ Choosing Your Consumables 239

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