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Digital Prints

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ColorMatch RGB<br />

Originally designed for Radius<br />

PressView monitors, this is another good<br />

working space for the photographerartist.<br />

The color gamut is smaller than<br />

for Adobe RGB but larger than the other<br />

working spaces on this list. ColorMatch<br />

RGB is well-accepted by the color industry,<br />

so most people know how to handle<br />

it. It has been considered the best choice<br />

if you plan to do a lot of CMYK commercial<br />

printing, although Adobe RGB<br />

is gaining ground for this usage.<br />

AppleRGB<br />

This is a holdover from the old Apple 13" Trinitron monitor days. It’s gamut is only slightly<br />

larger than sRGB. Not recommended for print.<br />

sRGB<br />

Even though this is the default<br />

working-space setting for<br />

Photoshop and other hardware<br />

and software manufacturers,<br />

including those making digital<br />

cameras, this is probably not the<br />

best choice for a color working<br />

space. It’s mainly for people<br />

working with web images, and it<br />

should be avoided by those hoping<br />

to output their files to the<br />

broadest range of print devices.<br />

The color gamut is small, and<br />

many deep, saturated colors,<br />

especially greens, blues, and some<br />

yellows, may be clipped or discarded,<br />

depending on the output<br />

device. As print provider John Castronovo puts it, “Always working in sRGB can be like<br />

having training wheels on a bike—safe but limiting.”<br />

CMYK<br />

CMYK is another device-dependent color space (actually a series of device-dependent color<br />

spaces with infinite possible variations). CMYK is short for Cyan, Magenta, Yellow, and<br />

Black (“K” for Key), which are the four subtractive process-printing colors. Why four instead<br />

of three? In theory, (and taking another peek at Figure 4.3), CMY should be enough to make<br />

all the colors, but real-world inks aren’t pure, and the extra black component is needed to<br />

add the snap or depth to the printed image and to solve other print-specific problems.<br />

Chapter 4 ■ Understanding and Managing Color 123<br />

Figure 4.8 The four currently<br />

recommended RGB working spaces in<br />

Photoshop (version 7 and 8 or CS).<br />

The relative gamuts of the four major<br />

RGB working spaces. Keep in mind<br />

that these only represent one view of<br />

the 3D color spaces.<br />

Graphing by CHROMiX ColorThink

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