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Computers, Art, and Printmaking: A Brief History (continued)<br />

1985<br />

New York master printer Harry Bowers<br />

claims to make first digital color photo<br />

print.<br />

Jon Cone opens Cone Editions Press for<br />

computer-assisted printmaking.<br />

1987<br />

The IRIS Graphics 3024 inkjet printer<br />

is launched for the pre-press proofing<br />

industry.<br />

1989<br />

David Coons outputs first IRIS fine-art<br />

print (of singer Joni Mitchell) for<br />

Graham Nash.<br />

1990<br />

Adobe Systems releases image editing software<br />

Photoshop 1.0, developed by John<br />

Knoll and Thomas Knoll.<br />

First all-digitally printed, photographic<br />

fine-art show (Graham Nash) at the Simon<br />

Lowinsky gallery, New York.<br />

Sally Larsen’s Tunnels Point Transformer is<br />

the first digital fine-art print included into<br />

the permanent collection of The<br />

Metropolitan Museum of Art (New York).<br />

1991<br />

Nash Editions opens for business.<br />

Jack Duganne (while at Nash Editions)<br />

first uses the term “giclée.”<br />

Maryann and John Doe start Harvest<br />

Productions.<br />

1994<br />

Epson introduces the Stylus Color—the<br />

first, desktop, photorealistic inkjet printer.<br />

Durst first shows its Lambda digital laser<br />

imager, making it possible to output digital<br />

files directly to a color photographic development<br />

process.<br />

1997<br />

International Association of Fine Art<br />

<strong>Digital</strong> Printmakers (IAFADP) forms.<br />

<strong>Digital</strong> Atelier: A Printmaking Studio<br />

for the 21st Century demonstration<br />

at the National Museum of American<br />

Art of the Smithsonian Institution,<br />

Washington, D.C.<br />

1998<br />

Jon Cone debuts <strong>Digital</strong>Platinum for IRIS<br />

monochromatic system.<br />

MacDermid ColorSpan announces its<br />

Giclée PrintMakerFA, the first wideformat<br />

digital printer created specifically<br />

for fine-art market.<br />

Roland DGA releases its Hi-Fi JET wideformat,<br />

pigmented 6-color printer.<br />

2000<br />

Jon Cone releases the PiezographyBW system<br />

for multi-monochromatic printing.<br />

Epson launches the Stylus Photo 2000P,<br />

the first desktop inkjet printer to use pigmented<br />

inks.<br />

2001<br />

Opening of the Beecher Center at The<br />

Butler Institute of American Art (Ohio),<br />

the first art museum in the United States<br />

dedicated to digital art.<br />

010101: Art in Technological Times exhibition<br />

at the San Francisco Museum of<br />

Modern Art.<br />

BitStreams exhibition at the Whitney<br />

Museum of American Art, New York.<br />

<strong>Digital</strong>: Printmaking Now exhibition at the<br />

Brooklyn Museum of Art, New York.<br />

Giclée Printers Association (GPA) forms.<br />

Chapter 1 ■ Navigating the <strong>Digital</strong> Landscape 11<br />

2002<br />

Lexmark introduces first 4800-dpi desktop<br />

inkjet printer (Z65).<br />

Epson unveils first 7-color, pigment-ink<br />

desktop inkjet printer (Stylus Photo<br />

2100/2200).<br />

Cone Editions introduces ConeTech<br />

PiezoTone quad black inkjet inks.<br />

Epson unveils first 2-picoliter ink droplet<br />

(Stylus Photo 960).<br />

HP introduces first switchable 4- to 6-ink<br />

desktop inkjet printer (Deskjet 5550).<br />

2003<br />

HP introduces first 8-color desktop inkjet<br />

printer with 3 blacks (Photosmart 7960).<br />

Cone Editions launches PiezographyBW<br />

ICC system for monochromatic inkjet<br />

printing.<br />

<strong>Digital</strong> Printmakers Guild forms.<br />

Professional <strong>Digital</strong> Imaging Association<br />

(DPIA) forms.<br />

2004<br />

Epson releases first 1.5-picoliter ink<br />

droplets and first desktop inkjet printer<br />

with Red and Blue plus Hi-Gloss inks and<br />

Gloss Optimizer (Stylus Photo R800).<br />

Canon launches first desktop inkjet printer<br />

with 8 ink tanks including Red and Green<br />

(i9900 Photo Printer).<br />

(Sources: John Bilotta, Steve Boulter; Canon<br />

USA, Jon Cone; David Coons; Andrew Darlow;<br />

<strong>Digital</strong> Atelier; Jack Duganne; Durst U.S.,<br />

Epson America, David Hamre; Mac Holbert,<br />

Hewlett-Packard Company, Martin Juergens,<br />

Preservation of Ink Jet Hardcopies, 1999;<br />

Marilyn Kushner, <strong>Digital</strong>: Printmaking Now,<br />

Brooklyn Museum of Art, 2001; Graham Nash;<br />

The New York Times; Mike Pelletier; Roland<br />

DGA, John Shaw/DPIA, Barbara Vogt Stability<br />

Issues and Test Methods for Ink Jet Materials,<br />

2001; Charles Wehrenberg; Henry Wilhelm)

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