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Others who do their own testing include photographer and monochromatic inkjet expert<br />

Paul Roark and also photo artist Barry Stein, who constructed a fluorescent fade tester for<br />

under $50 that allows him to test with and without a glass filter and to adjust the light<br />

level from 20 to 60 klux (see Figure 5.10).<br />

For more ideas about individual-artist testing, see “Do Your Own Permanence Testing” below.<br />

So How Long Will It Last?<br />

I started off this chapter asking two simple questions: How long is long enough? and How<br />

long will it last? That second one is the hardest to answer. Because there is no one answer;<br />

because it all depends. Even the best outside permanence tests and manufacturers’ claims<br />

will only give you a generalized guesstimate of what’s going to happen to your prints. There<br />

are just too many variables. What is the atmospheric pollution level where the print will<br />

be displayed or stored? What is the UV component of the light coming in from the windows?<br />

What’s the temperature? What’s the humidity? These are just some of the influencing<br />

factors that will significantly affect the permanence of that print.<br />

What Can You Do?<br />

To get closer to knowing about the longevity of your prints—besides waiting around a<br />

few decades as they age, you have three basic options: (1) carefully study the existing test<br />

data, (2) contract out your permanence testing, or (3) do your own testing. In any case,<br />

you should also learn how to maximize print permanence.<br />

Chapter 5 ■ Determining Print Permanence 171<br />

Figure 5.10 Barry Stein made this<br />

fluorescent light-testing device from<br />

inexpensive parts including a foil-lined<br />

trash can, light fixture, and fan.<br />

Bottom inset shows the turntable for<br />

rotating samples made from pieces of<br />

Foamcore and a small motor. All this<br />

for under $50.<br />

Courtesy of Barry Stein<br />

www.BSteinArt.com.

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