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Digital Prints

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people, and now that we’re at the point where ‘more than acceptable results’ are possible<br />

to obtain using digital capture, and given that most people are driven to expediency, direct<br />

digital scanning is quickly replacing film for art reproduction.”<br />

Advantages of Film Photography<br />

■ Traditional, universal workflow with reliable results.<br />

■ Medium- and large-format film advocates claim film still has the quality edge over digital.<br />

■ Film is its own proof; nothing else is required to view it.<br />

■ Film is the safe and permanent standard.<br />

Since the ultimate goal of a film-photography-based workflow is to end up with a digital<br />

file, the obvious question is: Why not just start off with digital to begin with?<br />

<strong>Digital</strong> Capture<br />

<strong>Digital</strong> cameras and digital camera backs are all the rage (41 million were sold in 2003<br />

worldwide) and are gradually replacing their analog ancestors (film cameras). Here are<br />

some reasons why:<br />

Advantages of <strong>Digital</strong> Capture<br />

■ There’s no lag time from exposure to the final image. You see it, you got it.<br />

■ Lack of film grain means digital captures are very smooth and clean.<br />

■ Since there’s no film, you don’t have to buy it, store it, or process it. Or worry about it<br />

being X-rayed at airports!<br />

■ <strong>Digital</strong> proponents say camera-back captures are sharper, clearer, and show more detail<br />

than film.<br />

Chapter 3 ■ Creating and Processing the Image 93<br />

Photo lab owner John Castronovo<br />

holds an 8×10 transparency after photographing<br />

the traditional art of Liron<br />

Sissman. “You can’t beat a large-format<br />

transparency as its own proof,” says<br />

Castronovo, who shoots either film or<br />

digital depending on the requirements<br />

of the job.<br />

Courtesy of John Castronovo, Tech Photo<br />

& Imaging

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