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Digital Prints

Digital Prints

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Mastering <strong>Digital</strong> Printing<br />

Six, seven, or eight colors is currently as far as desktop inkjets go, but wide-formats go<br />

even further. The ColorSpan DisplayMaker X-12 comes with 12 separate printheads,<br />

which allows you to choose different print modes and inksets. Want to print difficult colors<br />

and make spot-color matches? You could configure the X-12 to be<br />

CCcMMmYK+Orange, Green, Red, and Blue. Or, you could have both dye-based and<br />

pigment inks loaded at the same time (CMYKcm×2) and switch between them as the<br />

work requires. (The Mimaki JV4 Series printers offer a similar feature.) Of course, none<br />

of this is push-button. Highly specialized printing software is required to deal with this<br />

type of color flexibility.<br />

Ink Droplet Sizes: The smaller the drop or dot sizes, the finer the detail and the smoother<br />

the color variations. The smallest drop size currently available (at this writing) in the U.S.<br />

is 1.5 picoliters (a picoliter is a liquid measurement unit) from the Epson Stylus Photo<br />

R800 desktop. One thing to keep in mind about dot sizes: Uncoated papers are much<br />

more forgiving of large dots, which tend to spread or bleed together and create a softer<br />

look. That’s one reason some of the older printers, such as the Epson 3000 with its gargantuan<br />

11 picoliter drop size, can still produce acceptable prints, especially when used<br />

on uncoated art and watercolor papers.<br />

Variable droplet sizes are a further advancement for increasing fine highlight detail and for<br />

optimizing photographic quality. The Epson 3000 was the first desktop printer to incorporate<br />

variable droplet technology, but it used only one dot size per print. Following Epson<br />

models began offering differing dot sizes within an image. Now, several brands offer different<br />

drop sizes per line including IRIS/IXIA, Epson, Lexmark, Roland, and Mimaki.<br />

Notwithstanding what I’ve said in this quality section, the numbers alone do not tell the<br />

whole story. More important is what your eyes tell you when looking at a print. That’s<br />

why it’s important to request sample prints (see the “Sample Before You Buy” note below),<br />

figure out a way to see others’ prints (this is one benefit of joining a “Print Exchange”), or<br />

have prints from your files made for you on any potential printer.<br />

Sample Before You Buy<br />

As part of your research into printers, try to gather actual printed samples for review. For desktops, office<br />

super stores will frequently have sample prints available next to the printer on display. Online retailer<br />

inkjetART.com offers custom sample prints from several of the inkjets it sells for evaluation/comparison.<br />

(InkjetART.com also has some excellent output comparisons and recommendations on their website.)<br />

In addition, most manufacturers will send you sample prints from their various printer models. Narrow<br />

your list down to the top few and call their 800 numbers for samples and product brochures. For desktop<br />

samples in the U.S., call these OEM pre-sales numbers:<br />

Dell: (800) 624-9896 Epson: (800) 463-7766 HP: (800) 888-0262 Lexmark: (888) LEXMARK<br />

The next step up is to have sample comparison prints made from your own test files. This is usually only<br />

done by vendors of the more expensive wide-formats. When printmaker Larry Thomas of Gleedsville<br />

Editions in Leesburg, Virginia, was trying to decide on which wide-format printer to buy, he sent the<br />

same test image to several different vendors who made prints for him. He then presented the prints to a<br />

panel of friends and associates for blind testing and asked them to pick the best one. He went with the<br />

printer (a Roland) that produced the winning sample.

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