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Matz says, “Everything will change with time and will change faster under less-friendly<br />

conditions. But doesn’t it make sense to start with the most stable materials that will<br />

change the slowest?”<br />

The Meaning of Permanence<br />

If we’re going to talk about print permanence, then we should at least agree on what that<br />

means. Unfortunately, that’s no easy task. Here are some different ways to define it.<br />

Image Stability: The dictionary meaning of image stability is “resistance to chemical<br />

decomposition,” but for the purpose of printing an image, we’re talking about what photo<br />

conservator Martin Juergens calls “the stability of image-forming substances.” These<br />

include the inks or dyes (together termed colorants) and the paper and coating materials<br />

(the media) used to produce the print. It’s the inherent stability of not only the colorants<br />

and the media separately, but the ink/media combination that is vitally important.<br />

Archival: Although ink and paper manufacturers love to throw around the term “archival,”<br />

there is no uniformly accepted definition of what is archival and what is not. In fact, the<br />

word just means that something is in an archive, being stored, but not necessarily monitored<br />

or preserved. “Archival” has become a marketing term, and it’s been appropriated<br />

by just about anyone with something to sell in the printing business. They would have<br />

you believe that archival—and hence, their product—means “long-lasting,” when in fact<br />

it may not mean that at all.<br />

Lightfast: Lightfast means resistant to fading. But for how long? The permanence, or fading<br />

characteristics, of many pigments used in traditional art materials are well-established.<br />

Colors rated by ASTM International as “Lightfast I” should last as long as pigments known<br />

to have retained their color more than 100 years. (See more about the ASTM’s tests below.)<br />

However, as permanence researcher Joy Turner Luke explains, ASTM members stress that<br />

it’s never possible to predict how many years a particular color will last since future display<br />

and storage conditions are unknown.<br />

Other testing organizations (primarily WIR and RIT/IPI—see later) attach usable-life predictions<br />

to lightfastness. In essence, they’re saying: “Based on certain display or storage<br />

assumptions, a print similar to the one tested should last for X years without noticeable<br />

fading or should only change this much in terms of its colors or densities.” As we will<br />

shortly see, there are dangers with this approach.<br />

Permanence: Permanence refers to resistance to any physical change, whether it be from<br />

light, heat, acids, etc. As an example, an ink can be lightfast but impermanent because it<br />

is prone to fast fading when exposed to atmospheric contaminants. How long is permanent?<br />

The U.S. Library of Congress, which is responsible for the care of 125 million cultural<br />

artifacts, uses “as long as possible” as its goal for preserving and making available to<br />

the public its vast collections.<br />

Because no one really knows what permanent or “archival” is, they are relative terms that<br />

anyone can claim. In the end, you—the photographer-artist—must decide how long is<br />

long enough.<br />

Chapter 5 ■ Determining Print Permanence 147

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