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Digital Prints

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76<br />

Mastering <strong>Digital</strong> Printing<br />

Scanning is done by scanners, and here’s how they work. Light generated in the scanner<br />

itself is either reflected off or transmitted through a piece of art or film via a mirror-andlens<br />

system (see Figure 3.1) and onto a grouping of light sensors, which are actually tiny<br />

CCDs (charge-coupled devices) or in some cases CMOSs (complementary metal oxide<br />

semi-conductors) or CISs (contact image sensors). The thousands of individual sensor elements,<br />

one per image pixel, are either arranged in single or triple rows, called, respectively,<br />

linear or tri-linear arrays.<br />

3<br />

r<br />

r<br />

The scanner’s image is then formed (in the case of CCDs) like this: As the scan progresses line<br />

by line down the original object, the light that is reflected or transmitted strikes each sensor,<br />

which transfers that information in the form of increasing voltage to something called an A/D<br />

(short for analog/digital) converter. The A/D converter then transforms the voltage into the<br />

binary values (our favorite ones and zeroes) that are sent to the computer. Once inside the<br />

computer, the scan is now a digital file that can be viewed, manipulated, and printed.<br />

In the context of digital printing, the type and quality of a scan can be critical to the final<br />

printed output. Therefore, let’s start off with an overview of some important things to<br />

know about the scanning process. The types of scanners and what they do follows.<br />

What You Need to Know about Scanning<br />

There are some key issues about scanners and printers that need to be understood by anyone<br />

hoping to become proficient with high-quality digital imaging and printing. These<br />

issues or factors are: color depth, dynamic range, and resolution.<br />

Color Depth<br />

Remember our friend “Bit Depth” from the last chapter? Color depth is just another way<br />

to say bit depth for scanners, and the same principles apply. A normal color original (print<br />

or film) will require a minimum 24-bit scan (8 bits of information per RGB channel; all<br />

scanners scan in RGB) to reproduce with adequate fidelity. This is the old “millions” scanner<br />

setting (actually, it’s 16.8 million as we learned in Chapter 2). However, since some of<br />

the scanned bits are invariably corrupted or lost to electronic noise, using a scanner with<br />

a higher color depth like 36-bit is preferred. A 36-bit or “high-bit” scanner records 12 bits<br />

per color channel, which translates into 68.7 billion possible values or colors per pixel.<br />

Figure 3.1 Flatbed scanners use lamps,<br />

mirrors, lenses, and sensor arrays to<br />

produce digital files. The Creo iQsmart<br />

has a unique inverted CCD sensor that<br />

minimizes dust accumulation on the<br />

CCD surface.<br />

Courtesy of Creo

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