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Digital Prints

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Presentation Portfolios: In addition to the limited-edition portfolio mentioned above, more<br />

utilitarian portfolios are used by photographers and other artists to showcase their work to<br />

prospective clients, gallerists, and other art marketers. Boxes with loose prints, albums with<br />

removable pages, and even bound books can be used as presentation portfolios.<br />

Commercial photographers know that if they send out 10 portfolios, they’ll be lucky to<br />

receive three back. For this reason, and also because portfolio contents are always being<br />

updated, image fading is not an important issue, and therefore many choose to print on<br />

inkjet printers with dye-based inks in order to take advantage of the increased color gamuts<br />

that certain dye-ink-and-paper combinations offer. Canon desktops and the Epson Stylus<br />

Photo 1280 have been favorites with portfolio printers for years, although any of the Epson<br />

UltraChrome printers can also be used. The HP Designjet 130 printer is also popular with<br />

photographers, especially since it can produce prints that are indistinguishable from true<br />

photographic lab prints. Photography icon Joel Meyerowitz now prints his commercial<br />

portfolios using the HP printers. This was a big step for him, but the reaction of his commercial<br />

agent was instant. “They thought they were real photos printed at a lab,”<br />

Meyerowitz says. “They couldn’t believe that I was getting this kind of quality from inkjet.”<br />

Photographer, editor, and consultant Andrew Darlow, who teaches workshops on digital<br />

printing privately and in conjunction with schools and organizations, gives us a final<br />

thought about portfolios: “In the past, imagemakers almost always depended on others to<br />

produce their portfolio prints. With the advent of affordable photo-quality inkjet and<br />

other printing technologies, photographers and other artists are now producing their own<br />

prints, with the flexibility to choose a wide range of papers and binding options. Whether<br />

prints are produced and assembled loose in boxes or flat portfolios, placed behind plastic<br />

pages, or put in library-style leather-bound books, the creative possibilities are endless.”<br />

Chapter 11 ■ Special Printing Techniques 363<br />

One of Andrew Darlow’s favorite<br />

portfolios. “I really like to use this type<br />

of tie portfolio with flaps, which has<br />

been popular for many decades,” he<br />

says. “The brand is Xonex, from<br />

Cleveland, Ohio, and by attaching a<br />

print to the cover, I am able to guide<br />

the viewer to the content inside and<br />

how the portfolio should be opened.<br />

The colors and fabric styles are very<br />

attractive, and it was inexpensive<br />

(under $20). Lineco and other<br />

companies offer similar portfolios. I<br />

recommend coating the cover print<br />

with Liquitex Acrylic Gloss Varnish<br />

(item #5016), which results in a<br />

beautiful protected image with a semigloss<br />

finish.” (This photo was taken<br />

before coating.)<br />

Portfolio photo and image on portfolio<br />

© Andrew Darlow

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