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Digital Prints

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with all the layers and adjustments, and while you can usually print from PSD, final work<br />

destined for output is usually saved in a format like TIFF.<br />

TIFF<br />

Tagged Image File Format (TIFF) is the standard image<br />

file format accepted by virtually all painting, image-editing,<br />

and page-layout programs. And starting with<br />

Photoshop 6.0, TIFFs have most of the same layers, vector<br />

shapes, paths, and channels that exist in the native<br />

PSD format. What most people do is store the master,<br />

layered PSD file and make a flattened TIFF copy for<br />

sending to the printer (yours or anyone else’s) or for<br />

importing into a page-layout program. TIFFs also compress<br />

very nicely (see below) and support color management<br />

profiles. Macs and PCs each deal with TIFFs differently; if you’re sending your<br />

file out for printing, make sure you find out which version they want (see Figure 3.22).<br />

EPS<br />

EPS stands for Encapsulated PostScript, and while on the surface it may seem even better<br />

than TIFF because it supports both bitmapped and vector-based art, it’s not the best choice<br />

for most photographer-artists. As you’ll learn in Chapter 11, EPS requires a PostScript<br />

workflow, either in the form of a PostScript-enabled printer, RIP, or through a PDF<br />

workaround. Graphic designers use EPS files all the time, but usually for importing vector<br />

art into page-layout programs that will ultimately be sent to a PostScript imagesetter.<br />

If you’re placing bitmapped image files into QuarkXPress or InDesign, you’re better off<br />

using TIFFs, which also process faster than EPS files.<br />

PDF<br />

PDF (Portable Document Format) is gradually becoming the standard transport format<br />

for complex graphics including text and images. With a PDF (which is in reality a<br />

PostScript file that has already been pre-interpreted by a RIP), all the fonts and images<br />

have been converted to objects that can be seen by anyone with Acrobat Reader, which is<br />

freely available. PDF file sizes can be tiny, depending on the image type, and this file format<br />

will continue to play a large role in all types of digital printing.<br />

To make a PDF, you’ll need to use Adobe Acrobat or some form of PDFWriter, if your<br />

software program includes it; some applications (such as Photoshop and InDesign) also<br />

create PDFs directly. If you’re using Acrobat, its Distiller function acts like a PostScript<br />

RIP, converting an intermediate PostScript file into a PDF. This is one way to get around<br />

having to have a RIP or a PostScript printer if you’re printing EPS elements to an inkjet<br />

printer from a page-layout program.<br />

There are also plenty of other file formats out there, but they’re used mostly for specific purposes<br />

that usually have little applicability to the digital printing of high-quality bitmapped<br />

images. Examples: DCS, a version of EPS; PICT (Mac)/BMP (PC), mainly for internal Mac<br />

or PC use; GIF and PNG, primarily for web compression; and PCX, for limited Windows use.<br />

(For information about color models such as RGB and CMYK, see the next chapter.)<br />

Chapter 3 ■ Creating and Processing the Image 109<br />

Figure 3.22 Photoshop CS offers<br />

plenty of options for saving in TIFF<br />

format, although not all are compatible<br />

with other or older applications.

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