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52<br />

Mastering <strong>Digital</strong> Printing<br />

Table 2.2 Viewing Distance & Visual Acuity<br />

Print Dimensions Standard Viewing Maximum Visual Resolution Maximum Visual Resolution<br />

(inches) Distance 1 (inches) (Ordinary) 2 (details per inch) (Ideal) 3 (details per inch)<br />

4×6 10.8 318 637<br />

8×10 19.2 179 358<br />

13×19 34.5 100 199<br />

30×40 75.0 46 92<br />

1 Formula: 1.5 × diagonal of art.<br />

2 “Ordinary” means reduced illumination on the target and its surroundings.<br />

3 “Ideal” means bright illumination on the target and its surroundings.<br />

The formula numbers give you a place to start, but your own experience and your own style<br />

of printing and displaying will determine which printer resolutions will work best for you.<br />

This entire concept of viewing distance and the eye’s maximum resolving power was brought<br />

home to me in dramatic fashion when I visited well-known documentary and fine-art<br />

photographer Joel Meyerowitz at his studio in New York City. Meyerowitz had just started<br />

experimenting with in-house inkjet printing, and he wanted to see how it compared to traditional<br />

C-prints, which he was used to getting from the top photo labs in New York.<br />

He and I both analyzed two 11 × 14-inch prints made of the same image he had photographed<br />

in Tuscany (see Figure 2.10). Using a loupe (magnifier), I could see the difference between<br />

Figure 2.10 Left: White Road by Joel Meyerowitz (2003). Details at right show comparison of C-print and HP Designjet 130 inkjet print at high<br />

magnification. The inkjet colors are truer to the original, and when viewed at a normal viewing distance, the inkjet dot structure disappears.<br />

Courtesy of Joel Meyerowitz Photography/www.joelmeyerowitz.com

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