Digital Prints

Recommendations

Info

Chapter 2 ■ Understanding <strong>Digital</strong> Printing 71 Figure 2.23 The piezoelectric inkjet process. Courtesy of Martin Juergens Epson’s Micro Piezo printhead. Courtesy of Epson America, Inc.
Page 2:
MASTERING Digital Printing Second E
Page 6:
All trademarks are the property of
Page 10:
Foreword In early 1989, I was facin
Page 14:
About the Author Harald Johnson has
Page 18:
2 3 4 Understanding Digital Printin
Page 22:
7 8 8. What About Printer Software,
Page 26:
PART III : BEYOND THE BASICS 10 11
Page 30:
Whom This Book Is For Written for p
Page 34:
This page intentionally left blank
Page 42:
1 Navigating the Digital Landscape
Page 46:
manager, would always hit the local
Page 50:
Wehrenberg was already familiar wit
Page 54:
Chapter 1 ■ Navigating the Digita
Page 58:
Computers, Art, and Printmaking: A
Page 62:
element, the basic unit of image in
Page 66:
Photographic Prints Photographers h
Page 70:
Liquid emulsions, image transfers,
Page 74:
Printing Cousins: Offset and Digita
Page 78:
Larger Sizes Size is not much of an
Page 82:
Some of the photographers who are e
Page 86:
New Mexico artist Ursula Freer has
Page 90:
Schools are also promoting digital
Page 94:
Disadvantages of Self-Printing ■
Page 98:
Print Council of America’s defini
Page 102:
One problem, of course, is that whe
Page 106:
Page 112:
38 Mastering Digital Printing That
Page 116:
40 Mastering Digital Printing Digit
Page 120:
42 Mastering Digital Printing Howev
Page 124:
44 Mastering Digital Printing (For
Page 128: 46 Mastering Digital Printing 1/288
Page 132: 48 Mastering Digital Printing Since
Page 136: 50 Mastering Digital Printing Viewi
Page 140: 52 Mastering Digital Printing Table
Page 144: 54 Mastering Digital Printing At th
Page 148: 56 Mastering Digital Printing This
Page 152: 58 Mastering Digital Printing Figur
Page 156: 60 Mastering Digital Printing just
Page 160: 62 Mastering Digital Printing The O
Page 164: 64 Mastering Digital Printing Examp
Page 168: 66 Mastering Digital Printing dry,
Page 172: 68 Mastering Digital Printing yello
Page 176: 70 Mastering Digital Printing Therm
Page 182: Solid Ink: For What and for Whom? W
Page 188: 76 Mastering Digital Printing Scann
Page 192: 78 Mastering Digital Printing they
Page 196: 80 Mastering Digital Printing ■ B
Page 200: 82 Mastering Digital Printing the n
Page 204: 84 Mastering Digital Printing I agr
Page 208: 86 Mastering Digital Printing Drum
Page 212: 88 Mastering Digital Printing VueSc
Page 216: 90 Mastering Digital Printing “Sc
Page 220: 92 Mastering Digital Printing The o
Page 224: 94 Mastering Digital Printing While
Page 228:
96 Mastering Digital Printing You b
Page 232:
98 Mastering Digital Printing Paint
Page 236:
100 Mastering Digital Printing Natu
Page 240:
102 Mastering Digital Printing vari
Page 244:
104 Mastering Digital Printing Pain
Page 248:
106 Mastering Digital Printing ■
Page 252:
108 Mastering Digital Printing file
Page 256:
110 Mastering Digital Printing Imag
Page 260:
112 Mastering Digital Printing If y
Page 266:
4 Understanding and Managing Color
Page 270:
The subtractive primary colors are
Page 274:
Color Attributes One way of definin
Page 278:
color geeky, you’ll want to explo
Page 282:
ColorMatch RGB Originally designed
Page 286:
2. If you’re using a print-servic
Page 290:
Welcome to ICC Color Management In
Page 294:
What Is Your Intent? Monitor profil
Page 298:
Hardware-based profile-generating p
Page 302:
it is not. In the context of color
Page 306:
Here’s what happens behind the sc
Page 310:
Chapter 4 ■ Understanding and Man
Page 314:
Custom, remote profiles can be purc
Page 318:
1. Open and Convert A color-managed
Page 322:
■ The validity and quality of thi
Page 328:
146 Mastering Digital Printing Digi
Page 332:
148 Mastering Digital Printing The
Page 336:
150 Mastering Digital Printing What
Page 340:
152 Mastering Digital Printing Cata
Page 344:
Page 348:
156 Mastering Digital Printing Visu
Page 352:
Page 356:
160 Mastering Digital Printing Acce
Page 360:
162 Mastering Digital Printing Sinc
Page 364:
164 Mastering Digital Printing extr
Page 368:
166 Mastering Digital Printing Tabl
Page 372:
Page 376:
170 Mastering Digital Printing Koda
Page 380:
172 Mastering Digital Printing Stud
Page 384:
174 Mastering Digital Printing Reme
Page 388:
176 Mastering Digital Printing Coat
Page 394:
Part II The Main Event: Inkjet Prin
Page 400:
Page 404:
Page 408:
186 Mastering Digital Printing 2. H
Page 412:
188 Mastering Digital Printing Six,
Page 416:
190 Mastering Digital Printing For
Page 420:
Page 424:
194 Mastering Digital Printing Base
Page 428:
196 Mastering Digital Printing Most
Page 432:
198 Mastering Digital Printing For
Page 436:
200 Mastering Digital Printing Conn
Page 440:
202 Mastering Digital Printing Simi
Page 444:
204 Mastering Digital Printing 9. W
Page 448:
206 Mastering Digital Printing Wide
Page 452:
208 Mastering Digital Printing OEM
Page 456:
210 Mastering Digital Printing Mima
Page 462:
7 Choosing Your Consumables Anyone
Page 466:
The reason I say “in most cases
Page 470:
the inks tend to get lost in the pa
Page 474:
Warning: Putting third-party inks i
Page 478:
You can also buy virgin, empty cart
Page 482:
MediaStreet Niagara II and III Cont
Page 486:
Bulk Ink for Wide-Format Third-Part
Page 490:
seemingly identical ink cartridges
Page 494:
What sets uncoated fine-art papers
Page 498:
There are so many coated inkjet pap
Page 502:
Deciding on Paper Choosing among al
Page 506:
Chapter 7 ■ Choosing Your Consuma
Page 510:
Color: The whiter the substrate, th
Page 514:
Brightness: Brightness is usually g
Page 518:
Cost: I’ve already described ink
Page 522:
Exotic Papers: There are lots of sp
Page 526:
major manufacturer/distributor webs
Page 530:
Page 536:
250 Mastering Digital Printing Phot
Page 540:
252 Mastering Digital Printing Conn
Page 544:
254 Mastering Digital Printing Besi
Page 548:
256 Mastering Digital Printing RIPs
Page 552:
258 Mastering Digital Printing Step
Page 556:
260 Mastering Digital Printing Maki
Page 560:
262 Mastering Digital Printing A mo
Page 564:
Page 568:
266 Mastering Digital Printing give
Page 572:
Page 576:
270 Mastering Digital Printing Medi
Page 580:
Page 584:
274 Mastering Digital Printing to p
Page 588:
276 Mastering Digital Printing A We
Page 594:
9 Finishing and Displaying Your Pri
Page 598:
Gas Ghosting In 2003, photographers
Page 602:
Signing and Numbering If you’re p
Page 606:
Coating Prints The decision of whet
Page 610:
Other reasons to coat prints includ
Page 614:
Table 9.1 Sample Liquid/Spray Coati
Page 618:
into the tray and then pass your pr
Page 622:
Mounting and Framing Prints Mountin
Page 626:
Mats: If loose or hanging edges are
Page 630:
Another problem for photographers i
Page 634:
specific place (Paris, Hong Kong, M
Page 638:
Storing and Shipping Prints After p
Page 642:
the print had turned a bright yello
Page 646:
Display Permanence We covered print
Page 650:
The print finishing points made abo
Page 658:
10 Using a Print Service There are
Page 662:
A seasoned printing professional ha
Page 666:
Size and Practicality If you need l
Page 670:
Experience? How long have they been
Page 674:
providing a digital file. If it’s
Page 678:
Basic Print Cost: Digital printmake
Page 682:
As you can imagine, this is a very
Page 686:
Disagreeing with me on this is digi
Page 690:
“To keep the cost per print to a
Page 694:
Step 7: Shipping and Storing The jo
Page 698:
Johnson explains that “while the
Page 702:
D-Lab, LightJet, Lambda, and Chromi
Page 706:
Pictage offers a similar service fo
Page 712:
338 Mastering Digital Printing ■
Page 716:
Page 720:
342 Mastering Digital Printing Gimp
Page 724:
344 Mastering Digital Printing Appl
Page 728:
346 Mastering Digital Printing Chea
Page 732:
348 Mastering Digital Printing Look
Page 736:
350 Mastering Digital Printing and
Page 740:
352 Mastering Digital Printing same
Page 744:
354 Mastering Digital Printing RGB
Page 748:
356 Mastering Digital Printing Usin
Page 752:
358 Mastering Digital Printing Beyo
Page 756:
360 Mastering Digital Printing Cust
Page 760:
362 Mastering Digital Printing Bind
Page 764:
Page 768:
366 Mastering Digital Printing Clea
Page 772:
Page 776:
370 Mastering Digital Printing Fabr
Page 780:
Page 786:
Appendix
Page 790:
Courtesy of Bogdanoff Gallery/www.b
Page 794:
Page 798:
Blackwell, Benjamin, 97 Blue Wool L
Page 802:
Creo EverSmart scanner, 91 Creo iQs
Page 806:
dye sublimation printers, 43, 58-59
Page 810:
Gottsegen, Mark, 161, 174, 287 Gova
Page 814:
OEM, 218-227 pigment-based inks, 18
Page 818:
dumb (non-calibrator), 130 gamma, 1
Page 822:
ppi-to-lpi ratio, 41 PPPI (pixels p
Page 826:
prints, 14. See also digital prints
Page 830:
Staples Fine Art, 33, 322 Stein, Ba
show all

Digital Prints

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?