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MASTERING Digital Printing Second E
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All trademarks are the property of
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Foreword In early 1989, I was facin
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About the Author Harald Johnson has
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2 3 4 Understanding Digital Printin
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7 8 8. What About Printer Software,
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PART III : BEYOND THE BASICS 10 11
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Whom This Book Is For Written for p
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1 Navigating the Digital Landscape
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manager, would always hit the local
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Wehrenberg was already familiar wit
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Chapter 1 ■ Navigating the Digita
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Computers, Art, and Printmaking: A
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element, the basic unit of image in
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Photographic Prints Photographers h
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Liquid emulsions, image transfers,
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Printing Cousins: Offset and Digita
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Larger Sizes Size is not much of an
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Some of the photographers who are e
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New Mexico artist Ursula Freer has
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Schools are also promoting digital
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Disadvantages of Self-Printing ■
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Print Council of America’s defini
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One problem, of course, is that whe
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38 Mastering Digital Printing That
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40 Mastering Digital Printing Digit
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42 Mastering Digital Printing Howev
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44 Mastering Digital Printing (For
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46 Mastering Digital Printing 1/288
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48 Mastering Digital Printing Since
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50 Mastering Digital Printing Viewi
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52 Mastering Digital Printing Table
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54 Mastering Digital Printing At th
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56 Mastering Digital Printing This
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58 Mastering Digital Printing Figur
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60 Mastering Digital Printing just
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62 Mastering Digital Printing The O
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64 Mastering Digital Printing Examp
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66 Mastering Digital Printing dry,
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68 Mastering Digital Printing yello
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70 Mastering Digital Printing Therm
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72 Mastering Digital Printing Piezo
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3 Creating and Processing the Image
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(Most modern scanners are 12-bit sc
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the bed of the scanner. They don’
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want to scale the image’s printed
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Testing Scanner Resolutions for Pri
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Sending Out for Scans Chapter 3 ■
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did when viewing the film on the li
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Several manufacturers such as Micro
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“The Creo EverSmart scanner has b
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people, and now that we’re at the
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and decompressed file at 300 ppi wo
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BetterLight Scan Backs One way to g
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As with other painting programs, St
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Image Editing Once you have the raw
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From a high-quality, digital printi
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Qimage Qimage fills it own unique c
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image in Chapter 8. However, this i
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with all the layers and adjustments
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JPEG2000 supposedly has the highest
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Canto Cumulus differs from Extensis
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116 Mastering Digital Printing When
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118 Mastering Digital Printing Figu
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120 Mastering Digital Printing A co
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122 Mastering Digital Printing RGB
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124 Mastering Digital Printing Many
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126 Mastering Digital Printing The
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128 Mastering Digital Printing The
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130 Mastering Digital Printing incl
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132 Mastering Digital Printing What
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134 Mastering Digital Printing Line
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136 Mastering Digital Printing A Ro
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138 Mastering Digital Printing Also
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140 Mastering Digital Printing Prof
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- Page 326: 5 Determining Print Permanence Alth
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- Page 342: this: real-world testing under extr
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- Page 354: ■ Waterfastness (for waterfastnes
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- Page 362: Who’s Doing the Testing? There ar
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- Page 394: Part II The Main Event: Inkjet Prin
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192 Mastering Digital Printing The
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194 Mastering Digital Printing Base
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196 Mastering Digital Printing Most
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198 Mastering Digital Printing For
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200 Mastering Digital Printing Conn
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202 Mastering Digital Printing Simi
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204 Mastering Digital Printing 9. W
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206 Mastering Digital Printing Wide
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208 Mastering Digital Printing OEM
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210 Mastering Digital Printing Mima
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7 Choosing Your Consumables Anyone
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The reason I say “in most cases
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the inks tend to get lost in the pa
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Warning: Putting third-party inks i
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You can also buy virgin, empty cart
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MediaStreet Niagara II and III Cont
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Bulk Ink for Wide-Format Third-Part
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seemingly identical ink cartridges
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What sets uncoated fine-art papers
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There are so many coated inkjet pap
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Deciding on Paper Choosing among al
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Chapter 7 ■ Choosing Your Consuma
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Color: The whiter the substrate, th
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Brightness: Brightness is usually g
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Cost: I’ve already described ink
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Exotic Papers: There are lots of sp
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major manufacturer/distributor webs
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250 Mastering Digital Printing Phot
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252 Mastering Digital Printing Conn
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254 Mastering Digital Printing Besi
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256 Mastering Digital Printing RIPs
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258 Mastering Digital Printing Step
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260 Mastering Digital Printing Maki
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262 Mastering Digital Printing A mo
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264 Mastering Digital Printing Step
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266 Mastering Digital Printing give
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268 Mastering Digital Printing The
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270 Mastering Digital Printing Medi
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272 Mastering Digital Printing Step
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274 Mastering Digital Printing to p
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276 Mastering Digital Printing A We
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9 Finishing and Displaying Your Pri
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Gas Ghosting In 2003, photographers
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Signing and Numbering If you’re p
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Coating Prints The decision of whet
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Other reasons to coat prints includ
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Table 9.1 Sample Liquid/Spray Coati
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into the tray and then pass your pr
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Mounting and Framing Prints Mountin
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Mats: If loose or hanging edges are
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Another problem for photographers i
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specific place (Paris, Hong Kong, M
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Storing and Shipping Prints After p
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the print had turned a bright yello
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Display Permanence We covered print
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The print finishing points made abo
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10 Using a Print Service There are
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A seasoned printing professional ha
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Size and Practicality If you need l
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Experience? How long have they been
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providing a digital file. If it’s
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Basic Print Cost: Digital printmake
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As you can imagine, this is a very
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Disagreeing with me on this is digi
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“To keep the cost per print to a
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Step 7: Shipping and Storing The jo
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Johnson explains that “while the
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D-Lab, LightJet, Lambda, and Chromi
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Pictage offers a similar service fo
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338 Mastering Digital Printing ■
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340 Mastering Digital Printing What
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342 Mastering Digital Printing Gimp
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344 Mastering Digital Printing Appl
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346 Mastering Digital Printing Chea
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348 Mastering Digital Printing Look
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350 Mastering Digital Printing and
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352 Mastering Digital Printing same
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354 Mastering Digital Printing RGB
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356 Mastering Digital Printing Usin
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358 Mastering Digital Printing Beyo
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360 Mastering Digital Printing Cust
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362 Mastering Digital Printing Bind
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364 Mastering Digital Printing Digi
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366 Mastering Digital Printing Clea
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368 Mastering Digital Printing The
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370 Mastering Digital Printing Fabr
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372 Mastering Digital Printing Digi
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Appendix
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Courtesy of Bogdanoff Gallery/www.b
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Blackwell, Benjamin, 97 Blue Wool L
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Creo EverSmart scanner, 91 Creo iQs
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dye sublimation printers, 43, 58-59
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Gottsegen, Mark, 161, 174, 287 Gova
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OEM, 218-227 pigment-based inks, 18
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dumb (non-calibrator), 130 gamma, 1
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ppi-to-lpi ratio, 41 PPPI (pixels p
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prints, 14. See also digital prints
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Staples Fine Art, 33, 322 Stein, Ba