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Digital Prints

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4<br />

Understanding and<br />

Managing Color<br />

Color—and how it affects your printing—is one of those mysterious subject pits. Many<br />

people have a hard time wrapping their minds around digital color, so as I’ve done before,<br />

I’ll break it down into bite-size pieces.<br />

Color Basics<br />

To understand color, we need a quick course in color theory.<br />

What Is Color?<br />

Color is what happens when our eyes perceive different wavelengths of light, which is that<br />

part of the electromagnetic spectrum that occurs roughly between 380 and 760 nanometers.<br />

A namometer (“nm” or one billionth of a meter) measures the distance between<br />

the crests of a light wavelength. Wavelengths shorter than 380 nm are outside our ability<br />

to see them, and they’re called ultraviolet or UV. Wavelengths just over 760 nm are likewise<br />

invisible and are called infrared or IR.<br />

There are lots of other types of electromagnetic radiation like X-rays, microwaves, radar,<br />

and radio, and those are also invisible because our eyes and the rest of our vision apparatus<br />

are sensitive only to a tiny slice of the energy pie (380–760 nm). This is called the<br />

visible spectrum, or more commonly, just light (see Figure 4.1).<br />

The basis of color is trichromacy, which refers to the three color channels or receptors of<br />

the human retina. What this means is that with only three primary colors in either the<br />

subtractive or additive color systems, all—or most—of the other colors can be created.

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