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Digital Prints

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As with other painting programs, Studio Artist is a good companion to Photoshop. Hawaii<br />

artist Diana Jeon likes to start an image in Photoshop, bring it into Studio Artist to add<br />

different painted or sketched effects, and then wrap it all up back in Photoshop for final<br />

printing.<br />

CorelDRAW/PhotoPaint: Primarily used as an illustration/page-layout program,<br />

CorelDRAW is now packaged with Corel PhotoPaint (for image editing and painting)<br />

and R.A.V.E. (for creating animations and vector effects for the Web) into the<br />

CorelDRAW Graphics Suite. While originally a dual-platform application, Version 12 of<br />

the Graphics Suite is for Windows only.<br />

<strong>Digital</strong> artist Carol Pentleton, who also runs the online gallery The <strong>Digital</strong> Artist, uses<br />

CorelDRAW exclusively in the creation of her images. She loves the flexibility, the transparency<br />

of use, and the quality of the tools, and her favorite feature is the infinite mutability<br />

of fills she can get with the program. Pentleton outputs her images to both IRIS and<br />

a proprietary digital-oil-on-canvas printing process. “I love the color saturation and the<br />

smoothness of the transitions of the prints,” she says.<br />

Illustrator and Freehand: I put Adobe Illustrator and Macromedia Freehand in the same<br />

grouping because they often trade places on most artists’ lists for best vector-based, drawing<br />

or illustration program (CorelDRAW is the other contender). <strong>Digital</strong> artists have found<br />

good uses for vector-based drawing programs, using them in combination with other software.<br />

New York artist Howard Berdach works this way by starting off his images as shapes<br />

in Freehand. Brought into Photoshop, the elements are colorized, layered, and then layered<br />

some more (see Figure 3.16). “When my images are ‘done,’ they’re often just starting<br />

points to the next version,” he says. Printed output is to Epson, Roland, and IRIS<br />

wide-format inkjet printers.<br />

Chapter 3 ■ Creating and Processing the Image 99<br />

Figure 3.16 Howard Berdach’s<br />

Sonic Color Loom, created in Freehand<br />

and Photoshop.<br />

© 1998-2004 Howard Berdach<br />

www.howardberdach.com

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