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Digital Prints

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Staples Fine Art, 33, 322<br />

Stein, Barry, 171<br />

Steinman, Jan, 203, 206, 359<br />

stochastic screening, 55–56<br />

storage and transport, 252<br />

storing<br />

files, 111–112<br />

giclées, 329<br />

prints, 301–302<br />

Strathmore, 359<br />

Studio Artist, 98–99, 101<br />

Studio Professional <strong>Digital</strong> Output<br />

system, 207<br />

Studio RIP, 207<br />

StudioMaster PRO, 334<br />

StudioPrint, 133, 339, 356<br />

StuffIt, 111<br />

Sublijet, 369<br />

SubliMAX, 369<br />

substrate, 228<br />

subtractive colors, 116–117<br />

sulphite paper, 230<br />

Sundance Septone inks, 357<br />

super-sized prints<br />

application software limits, 343<br />

application tiling, 344–345<br />

application-direct export<br />

module, 343<br />

cheating pixels, 346–347<br />

operating systems, 343<br />

panoramas, 345<br />

PostScript RIP, 343<br />

printer drivers, 343<br />

printer maximum paper size,<br />

343<br />

swellable coated paper, 231–232<br />

system setups, 249<br />

T<br />

Talbot, William Henry Fox, 15,<br />

22<br />

Tech Photo & Imaging, 92<br />

temperature and print<br />

permanence, 149<br />

test prints, 273–275<br />

testing organizations and<br />

independent researchers,<br />

163–165<br />

textiles, 243–244<br />

thermal image degradation, 156<br />

thermal inkjet printers, 10, 68–70<br />

thermal plotter printers, 69<br />

thermal printers, 203<br />

Theta printers, 60<br />

T-hinge, 293<br />

third-party inks, 190–191<br />

availability, 227<br />

bulk-ink systems, 222–224<br />

cost of inks, 219<br />

dye-based inks, 219<br />

flushing or purging OEM inks<br />

from printhead, 227<br />

fooling printers, 222<br />

printer settings and profiles,<br />

227<br />

quality, 225, 227<br />

refills, 221<br />

replacement cartridges,<br />

220–221<br />

source, 225<br />

specialty uses, 219–220<br />

third-party paper, 233–235<br />

Thomas, Larry, 188<br />

ThumbsPlus, 112<br />

Thunderbird Editions, 10<br />

TIFFs (Tagged Image File<br />

Formats), 108–109, 333<br />

tiling, 262, 339<br />

Tobie, C. David, 120, 238, 354,<br />

356<br />

Toles, John, 284<br />

tonal response, 128<br />

topcoats. See coatings<br />

Torlan Studios, 300<br />

Toulouse-Lautrec, Henri de, 18<br />

traditional artists, 23–24, 311<br />

traditional fine-art prints, 17–18<br />

traditional printing, 13<br />

transporting files, 111<br />

trichromacy, 115–116<br />

tristmulas, 121<br />

TRL ImageResizer, 346<br />

Tropical Graphics, 369<br />

Tru Décor, 33<br />

Tru Giclée, 33<br />

TSS-Sublimation, 369<br />

397<br />

Turner, J.M.W., 152<br />

Turner, Judith, 291<br />

turnkey printer packages, 207<br />

type and resolution, 49<br />

Tyvek, 243<br />

U<br />

Ultima Picture Paper, 170<br />

UltraChrome inkjet printer, 356<br />

UltraChrome inks, 286<br />

UltraSmooth Fine Art Paper, 191<br />

uncoated paper, 228–230, 245<br />

UNIX and Gimp-Print, 342<br />

unusual frames, 298–299<br />

upsampling, 81<br />

Upton, Steve, 122<br />

UV (ultraviolet), 115<br />

UV radiation, 148<br />

V<br />

van dykes, 16<br />

vector interpolation, 346<br />

vector-based graphics, 38<br />

vehicle, 213<br />

V-hinge, 293<br />

video display cards, 252<br />

viewing distances<br />

estimating, 50<br />

halftone screening, 54<br />

visible spectrum, 115<br />

visual acuity, 51–53<br />

Visual Artist, The, 311, 321<br />

visual vs. measurement testing,<br />

156<br />

Vogt, Barbara, 154, 165<br />

VueScan, 87–88<br />

W<br />

Wacom, 254<br />

Wade, Chris, 321–322, 326–328<br />

Walt Disney Company, 6<br />

Warhol, Andy, 18<br />

Wasatch, 339<br />

water and print permanence,<br />

149–150<br />

waterfastness, 159<br />

water-soluble adhesive, 293<br />

Waterson, Bill, 154, 170, 290

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