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Digital Prints

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3. Set up test conditions and apparatus. I built a crude light-testing apparatus with full-spectrum<br />

fluorescent tubes and standard window glass over the target samples (see Figure 5.11).<br />

4. Prepare and print the targets. I created my own test target in Adobe Photoshop combining<br />

personal and stock images and “color ramps” (pure color patches of varying densities).<br />

5. Run Test. With the targets in place, I turned on the lights and didn’t turn them off, checking<br />

in each day and rotating the targets under the lights each week to make sure they all<br />

received the same average exposure.<br />

6. Terminate test and make evaluations. On the 100th day (the equivalent of 6.7 “Wilhelm<br />

Years” at my light intensity), I turned off the lights and compared the test specimens along<br />

with the dark-stored references in my viewing booth and decided which ones looked best<br />

(see Figure 5.12). Those that matched their controls the closest had faded the least.<br />

Chapter 5 ■ Determining Print Permanence 173<br />

Figure 5.11 The author’s fluorescent<br />

light-fading test unit. Fluorescents<br />

should only be used if the intended<br />

display environment relies on this type<br />

of lighting.<br />

Figure 5.12 Visually comparing the<br />

targets after the lightfastness test is<br />

over.

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