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Digital Prints

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I have one more thing to do before making the final prints. Using the same settings as my<br />

approved test, I go back to the file, reload a sheet of 13 × 19-inch paper, and I make<br />

another print. I use the traditional printmaking term—bon à tirer, which means “good to<br />

print” in French—and write it on the final proof as a reminder. (If you use an outside<br />

printmaker, they will undoubtedly ask you to similarly sign off on the approved test print<br />

so they can use it as a guide against which all the final prints must conform.)<br />

I’m ready to go.<br />

Step 11: Make the Final Print(s)<br />

Final prints require more planning. Test prints are disposable (or make great gift cards),<br />

but depending on how many of the real thing you’ll now be printing at once, you need to<br />

think through this last step before you start:<br />

■ How long do the prints need to dry before they can be stacked or stored? (I’ll let them air<br />

dry for several hours; glossy paper can take up to 24 hours or more. The HP paper with<br />

the grainy back takes less.)<br />

■ How many are you doing and how will you store them? Do you have an envelope or box<br />

that’s big enough? (The original box the paper came is the perfect storage container.)<br />

■ How will you keep the prints from being damaged or soiled while handling? Do you have<br />

a clean worktable? Do you have cotton photo-darkroom gloves to wear? Do you have a<br />

good way—compressed air, for example—to clean off surface dust or dirt?<br />

■ Do you need to do any coating, spraying, or other type of finishing of the prints? How,<br />

when, and where will that be done?<br />

■ Are you signing and numbering the prints? When? How?<br />

These are just some of the obvious questions that need answers; you will undoubtedly have<br />

more. In my case, since I’m only making one print for framing (and one extra as a backup),<br />

I have my drying table, acid-free glassine cover sheets (available at any art supply store),<br />

empty paper storage box, and gloves ready.<br />

With everything in place, I re-open my final<br />

digital file, inspect and load the paper, do a<br />

quick check of the HP ink status icons on the<br />

front panel (see Figure 8.24) to make sure I<br />

have enough ink remaining for the job, verify<br />

all my settings, and hit the Print button.<br />

As soon as the print comes out of the printer,<br />

I pick it up at the edges and carefully inspect<br />

it. It’s perfect, and it goes to the drying area<br />

to lay flat while I return to the computer and<br />

print a backup copy.<br />

A few hours later, I blow off any accumulated<br />

dust, and separate the two prints with<br />

slip sheets of glassine. To protect the<br />

edges as well as the prints in general,<br />

Chapter 8 ■ Making a Great Inkjet Print 275<br />

Figure 8.24 The six icons on the<br />

130’s front panel refer to the amount of<br />

ink in each of the ink cartridges. If any<br />

are flashing, they need to be replaced.

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