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290<br />

Mastering <strong>Digital</strong> Printing<br />

Spraying Safety<br />

The biggest concern with spray coatings are the health and environmental hazards involved.<br />

What can you do to be safer? Follow these safety tips:<br />

■ Because spraying produces airborne contaminants, get a good face mask like the ones professional<br />

autobody painters use.<br />

■ Wear your face mask whenever spraying, mixing, or handling coating or painting materials.<br />

■ Always wear safety approved goggles or glasses when spraying. Try to cover your hands and other areas<br />

of exposed skin.<br />

■ Never spray near open flames or pilot lights in stoves or heaters.<br />

■ Ventilation requirements (indoors): (1) only work in a well-ventilated area, (2) run ventilation continuously,<br />

and (3) continue ventilation for at least one hour after spraying is completed. The best sort<br />

of ventilation is a hood type with direct exhaust (through a filter) to the outside.<br />

Two spraying operations: (left) photographer, professor, and author Stan Shire sprays with an HVLP sprayer in his basement shop next to an open sliding door,<br />

which pulls most of the material out. “In the winter, I wear a sweater,” he says. His mask is a standard 3M organic vapor respirator. At right is printmaker Steve<br />

Carlisle using the same type of HVLP sprayer that’s used for painting cars. That’s a silkscreen sink with built-in ventilation from behind. He also has codeapproved<br />

top ventilation, and he keeps a door open. His full-face mask is also from 3M.<br />

Courtesy of Stan Shire/Community College of Philadelphia (left); Steve Carlisle/Thunderbird Editions<br />

Two other options for those who don’t want to mess around with proper ventilation and/or<br />

face masks are “spray-for-pay” and using a liquid coating machine. Spray-for-pay means<br />

finding someone else to do it for you. It may be hard to locate an individual or a shop who<br />

will take in your prints for coating without having done the printing, but it may be worth<br />

the effort to find them.<br />

Liquid coating machines for photographer-artists are relatively new on the scene, and permanence<br />

researcher Bill Waterson has developed a working prototype that was undergoing<br />

field testing at the time of this writing (see Figure 9.4). You pour the coating solution

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