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Challenges and Opportunities for Innovation in the Public Works ...

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LEGAL IMPEDIMENTS TO INNOVATION<br />

IN REBUILDING AMERICA'S CRUMBLING INFRASTRUCTURE<br />

CHARLES F. SEEMANN, JR., PARTNER<br />

DEUTSCH, KERRIGAN & STILES<br />

The United States faces a crisis, as its ag<strong>in</strong>g <strong>in</strong>frastructure, serv<strong>in</strong>g well beyond<br />

its life expectancy, deteriorates to failure. Much of <strong>the</strong> <strong>in</strong>frastructure is over a<br />

century old--bridges, water <strong>and</strong> sewerage systems <strong>and</strong> <strong>the</strong> like; it is a tribute to<br />

American technical prowess of <strong>the</strong> last century that <strong>the</strong> <strong>in</strong>frastructure cont<strong>in</strong>ues to<br />

function at all, much less provide major service. Pause a moment to recall that <strong>the</strong><br />

now moribund <strong>in</strong>frastructure was, at its creation, a triumph of American <strong>in</strong>novation.<br />

America needs a resurgence of that <strong>in</strong>novation now to solve <strong>the</strong><br />

<strong>in</strong>frastructure problems that threaten significant economic <strong>and</strong> personal dislocation.<br />

Unhappily, <strong>the</strong>re are impediments to such <strong>in</strong>novation; this paper dwells on some of<br />

those created by <strong>the</strong> <strong>in</strong>terrelation of <strong>the</strong> law with eng<strong>in</strong>eer<strong>in</strong>g <strong>and</strong> <strong>the</strong> practical process<br />

of construction.<br />

A. Historical Perspective<br />

Most modern construction contract<strong>in</strong>g, particularly public works,<br />

is an arrangement of three parties: <strong>the</strong> Owner, <strong>the</strong> Designer <strong>and</strong> <strong>the</strong> Builder (or<br />

Contractor).' Typically <strong>the</strong> Owner contracts with a Designer to provide plans <strong>and</strong><br />

specifications that detail <strong>the</strong> f<strong>in</strong>ished project; <strong>and</strong> <strong>the</strong> Owner contracts separately with<br />

<strong>the</strong> Contractor to build precisely what those plans <strong>and</strong> specifications detail. The roles<br />

of Designer <strong>and</strong> Builder are not <strong>in</strong>herently separate, but <strong>the</strong>y are today by contract<br />

usually deliberately discreet. The Designer provides <strong>the</strong> design <strong>and</strong> <strong>in</strong>spects <strong>the</strong><br />

project periodically to confirm that <strong>the</strong> work generally con<strong>for</strong>ms to his design; he<br />

eschews control of, or responsibility <strong>for</strong>, <strong>the</strong> means, methods, techniques <strong>and</strong> sequences<br />

of construction, <strong>for</strong> job-site safety on <strong>the</strong> project site, <strong>and</strong> generally <strong>for</strong> <strong>the</strong> specific<br />

Each of <strong>the</strong>se entities is, <strong>in</strong> practice, usually a team, or cha<strong>in</strong> of o<strong>the</strong>r entities. For<br />

example, <strong>the</strong> lead Designer who contracts with <strong>the</strong> Owner, e..g., architect <strong>for</strong> a<br />

build<strong>in</strong>g, usually subcontracts <strong>for</strong> required specialty design, such as soils, mechanical<br />

<strong>and</strong> electrical work. Similarly, <strong>the</strong> prime Builder will subcontract discreet parts of <strong>the</strong><br />

work to subcontractors. The Owner's <strong>in</strong>terest may likewise be divided among several<br />

parties, <strong>in</strong>clud<strong>in</strong>g lessors/lessees <strong>and</strong> lenders. For simplicity, this discussion uses <strong>the</strong><br />

s<strong>in</strong>gular to refer to <strong>the</strong> three major, or lead, per<strong>for</strong>mers; but, <strong>in</strong> general, <strong>the</strong> notions<br />

expressed here frequently are relevant to <strong>the</strong> o<strong>the</strong>r actors.<br />

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