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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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surprising that the ceremony was an emotional one for all concerned, as Mozart reported to<br />

his father three days later:<br />

bey der Copulation war kein Mensch als die Mutter und die Jüngste schwester. – H: v: thorwart<br />

als vormund und beystand von beyden; – H: v: Zetto |: Landrath :| beystand der Braut; und der<br />

gilowsky als mein beystand. – als wir zusam verbunden wurden fieng so wohl meine frau als ich<br />

an zu weinen; – davon wurden alle, sogar der Priester, gerührt. – und alle weinten, da sie zeuge<br />

unserer gerührten herzen waren. 3<br />

As procedure dictated, the venue for the service had been determined by the residence of the<br />

bride: for Constanze, living five minutes’ walk away on Petersplatz, the Cathedral was her<br />

parish church.<br />

The wedding of Mozart and Constanze took its place in the cycle of more than one<br />

hundred services conducted at St. Stephen’s every day, which ranged from the smallest<br />

private devotion to the most elaborate festivity. 4 Most of these rites formed part of the daily<br />

recitation of the Missal and Office, but there were also a significant if variable number of<br />

pastoral services: on the day of Mozart’s marriage, there were two funerals, five other<br />

weddings and seven baptisms in the Cathedral, including one for Josepha, daughter of the<br />

composer Ignaz Umlauf. 5 Although it is unclear whether music was provided for Mozart’s<br />

marriage – if it was, the composer did not mention it – there were daily opportunities at St.<br />

Stephen’s to hear both organ- and instrumentally-accompanied items. Charles Burney, who<br />

visited Vienna in 1772, could report that<br />

…there is scarce a church or convent in Vienna, which has not every morning its mass in music:<br />

that is, a great portion of the church service of the day, set in parts, and performed with voices,<br />

accompanied by at least three or four violins, a tenor and base [sic], besides the organ; and as the<br />

churches here are daily crowded, this music, though not of the most exquisite kind, must, in<br />

some degree, form the ear of the inhabitants. 6<br />

3 MBA, iii.219.<br />

4 For an overview of religious services in Vienna’s major churches at this time, see RGZJ, 55.<br />

5 These services are documented in Vienna, Pfarrarchiv St. Stephen, Prot. Mort. 34, f. 102, Copulations=Buch<br />

74, f. 269-270 and Prot. Bapt. 98, f. 20. I am grateful to Michael Lorenz for his assistance in locating this<br />

documentation.<br />

6 Charles Burney, The Present State of Music in Germany, The Netherlands, and United Provinces (London: T.<br />

Becket et al., 1773), i.222.<br />

2

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