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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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Chief among those documents supporting the “authenticity” of Süssmayr’s work on<br />

the Requiem is the celebrated account by Sophie Haibel of Mozart’s last hours. Haibel<br />

recalled that, after hurrying back to Rauhensteingasse from her mother’s place,<br />

Da war der Sissmaier bey M: am Bette dan Lag auf der Deke das Bekante Requem und M:<br />

Explicirte jhm wie seine Meinung seie daß er es Nach seinem Todte Vollenden sollte. 79<br />

This exchange took place some time in the evening of 4 December: it was “schon finster,”<br />

and Mozart’s doctor was only able to visit sometime later, after the “Pieße” at the theatre had<br />

finished. Whether or not this “Pieße” was La Molinara at the Burgtheater, Die<br />

Sonnenjungfrau at the Kärntnertortheater, or another work on offer in the city, there is a<br />

potential conflict between Haibel’s account and the evidence furnished by the account book,<br />

which shows that Süssmayr was already engaged at the theatre on at least one of 3, 4, 5, 6, 8<br />

and 9 December. On present evidence, of course, he need not have played on 4 December<br />

and thus Haibel’s account may be accurate, but a payment of 23fl does suggest service on<br />

more than one night. 80 As only a citation of Ugarte’s original instruction to hire Süssmayr<br />

survives, we do not know the circumstances of his employment, but it is possible that the<br />

composer was engaged to cope with the additional musical demands posed by Leopold II’s<br />

new ballet company, first seen on 15 November 17<strong>91</strong>. Until further evidence appears,<br />

however, the payment of 23 fl will serve as a necessarily general indication of Süssmayr’s<br />

activities in the week leading up to the memorial service on 10 December.<br />

At present, the only sacred work by Süssmayr known to have been written in Vienna<br />

during Mozart’s lifetime is an Alleluia for solo bass and orchestra, SmWV 127; see Figure<br />

5.7. The autograph is written on a single bifolium of high quality paper, but unfortunately<br />

79 MBA, iv.464.<br />

80 Compare the 2fl Süssmayr received per service at the Hofkapelle a few months before.<br />

367

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