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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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Closer to home, a benefit concert held for Constanze and her children at the Burgtheater on<br />

23 December was ostensibly billed as a fundraising service for Mozart’s dependents, but<br />

surely also functioned as a memorial of sorts. Although not attested by any of the usual<br />

theatrical sources, this concert is known through reports in the Pressburger Zeitung, Brünner<br />

Zeitung and the Weimar Journal des Luxus und der Moden. 111<br />

Mozart was of course one of the most famous composers in Europe, but in age and<br />

rank he placed decidedly below a figure like Gluck at his premature passing in 17<strong>91</strong>.<br />

Twentieth-century scholarship had however long known of three newspaper reports from<br />

late 17<strong>91</strong> suggesting that a requiem mass was held for Mozart in Vienna. That three separate<br />

sources all made mention of a particular event should have been sufficient to ensure that the<br />

claim was taken seriously – supposed “facts” in Mozart scholarship have been based on much<br />

less – but the skepticism of Otto Erich Deutsch in Dokumente ensured that the reports went<br />

uninvestigated. 112 All this changed in 19<strong>91</strong>, when Walther Brauneis discovered yet a fourth<br />

report of this event. Almost all of the information it conveyed had already been noted in the<br />

other three reports, but its particular value lies in two features: it gives the location of the<br />

service unequivocally as the Michaelerkirche in Vienna, and it provides a precise date, 10<br />

December. 113 Further investigations at St. Michael’s revealed that a requiem mass of the<br />

second class was indeed held for Mozart on that day. Quite obviously, this discovery<br />

demanded a new evaluation of all four printed sources.<br />

111 Deutsch, Dokumente, 379; Eisen, Neue Dokumente, 78; Link, The National Court Theatre, 182.<br />

112 “Das Requiem, noch unvollendet, ist dort nicht für Mozart aufgeführt worden“; “Im übrigen enthält der<br />

Botschafter wieder nur Phantasien“; “Diese frühe Nachricht über das Requiem entspricht im einzelnen nicht der<br />

Wahrheit.” Deutsch, Dokumente, 374, 380, 526.<br />

113 One of the other reports also mentions St. Michael’s, but this was taken erroneously to mean St. Michael’s<br />

in Salzburg; Deutsch, Dokumente, 526, Ernst Hintermaier, “Eine Frühe Requiem-Anekdote in Einer Salzburger<br />

Zeitung,” Österreichische Musikzeitschrift 26 (1971): 436-37.<br />

377

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