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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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tenor and composer Joseph Krottendorfer received an extra payment for their work as<br />

subcantor. Perhaps the most notable feature of the instrumental makeup is the lack of<br />

oboists, although this was entirely typical of Viennese church orchestras. 77 Only one<br />

trumpet-player is listed through much of the 1780s, but the account books make clear that<br />

Neuhold was expected to provide a second player and a timpanist from the money provided<br />

to him. No violists appear in the accounts, but that was not a particular issue as much of the<br />

repertoire was still for the “church trio” texture without viola. Given the Cathedral’s<br />

employment of up to twelve violinists, presumably some of them took the larger instrument<br />

as necessary. In addition to the salaries of the singers and instrumentalists, a number of<br />

auxiliary payments appear for the instruction of the choirboys in singing, violin and<br />

keyboard. The organ-builder Johann Wimola received compensation in 1792, and possibly<br />

earlier, for overhaul of the Cathedral’s main organ. 78 Payments to Jakob Nurscher for music<br />

copying appear in all the surviving account books, suggesting that Kapellmeister Hofmann<br />

was continuing to procure new music for the Cathedral throughout the 1780s. 79 Table 4.3<br />

below shows the total expenditure each year for music at the Cathedral, together with the<br />

payment or payments to Nurscher that year. 80<br />

77 See Biba1783, 73.<br />

78 Planned as early as 1789; see A-Wsa, HR A 17/4, 4/1789. In 1784-85, the “burgl. Orglmacher” Franz Xaver<br />

Christoph was paid 600 fl. for the “Reparierung der vorderen Orgl,” while Andreas Geiger, a “burgl. Vergolter”<br />

received 181fl. for the “Herstellung der Orglfassung auf den vorderen Chor.” Brunner, Kantorei, 59.<br />

79 Nurscher’s predecessor as the Cathedral’s copyist was Franz Xaver Riesch, or Riersch (c. 1727-80.) See MVC,<br />

81 and Stephen Fisher, “Haydn's Overtures and Their Adaptations as Concert Orchestral Works” (PhD diss.,<br />

University of Pennsylvania, 1985), 445-53. Riesch also worked for the Hofkapelle (A-Whh, SR 371/14, note<br />

dated 1 June 1780.)<br />

80 The one-off payment of 1400fl to Wimola is omitted from the total for 1792.<br />

279

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