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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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It is difficult to say whether the members of the Commission were misinformed or<br />

deliberately disingenuous about the content of the Gottesdienstordnung, but the claim that<br />

instrumental sacred music could be performed in any church that could afford it was simply<br />

untrue – at least in the sense of an unrestricted opportunity to employ it as churches saw fit.<br />

Joseph II’s Gottesdienstordnungen of 1783 and 1786 were still in force, and on that basis the<br />

bishops’ requests were certainly valid “von selbst.”<br />

At the end of December 1790, the minutes were sent to Leopold with an<br />

accompanying note by Baron Kressel. The Emperor was fundamentally in agreement with<br />

the reforming spirit of the Commission, and against the Bishop of Gradiska’s complaint that<br />

the Normalgesang disturbed the people he wrote simply, “Heißt nichts.” Leopold did<br />

however prepare a resolution that addressed, in a limited way, the concerns of the bishops;<br />

see Figure 4.1. Of particular importance is the eleventh point, closely based on the minutes:<br />

Die Hochaemter und Litaneyen werden auch mit Instrumentalmusik gehalten werden können,<br />

wenn das Kirchenvermögen zu deren Bestreitung hinreicht.<br />

Thus, what had been a mistaken belief of the Geistliches Hofkommission was set to become<br />

reality, at least in part. The fundamental changes from Joseph II’s 1786 Gottesdienstordnung<br />

were twofold. First, instrumental settings could be employed for any high mass throughout<br />

the Erbländen, instead of Sundays and feast days in metropolitan churches alone. Second,<br />

instrumental litanies, which had been removed entirely under Joseph, were again permitted.<br />

Leopold’s resolution does not address the performance of vespers, leading in theory to<br />

continuation of the existing policy that permitted only choraliter or organ-accompanied<br />

settings. The wording is very similar to Joseph’s instruction to the commission of 1786, 11<br />

and reflects a continued concern that such music should be funded<br />

11 “Die Instrumentalmusik-Musique kann verbleiben, wenn es aus dem eigenen Vermögen unterhalten werden<br />

kann.”; RGZJ, 163. This instruction, however, was in response to a proposal that Instrumentalmusik be<br />

removed entirely, and only refers to situations where it was already permitted.<br />

248

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