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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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on Jews. Church music was, so far, unaffected by the reforms, but it was soon to become a<br />

central concern in the Emperor’s attempts to reform religious life in the Imperial capital. The<br />

practice of music in churches, monasteries and convents consumed a large proportion of the<br />

financial, temporal and artistic resources available to those institutions, and Joseph was to<br />

make clear that those resources were better directed towards more “useful” ends.<br />

Two weeks before Mozart’s marriage, on 22 July 1782, the Emperor had ordered the<br />

establishment of a Religious Commission (Geistliches Hofkommision) whose responsibility it<br />

was to deal with the day-to-day implementation of the Emperor’s plans, and to act as an<br />

advisory body. Nine months later, on Easter Sunday 1783, the Archdiocese of Vienna, acting<br />

under the Commission’s orders introduced a new order of services (Gottesdienstordnung) for<br />

the city, which redefined fundamentally the religious experience of clergy and laity alike.<br />

Where there had been fewer than ten large parishes serving the needs of Vienna’s 209,000<br />

inhabitants, there were now twenty-eight. 8 Where some churches had been offering mass<br />

every hour or even half-hour, there was now an officially sanctioned procession of masses<br />

distributed throughout the city. Where the congregation had formerly expected to remain all<br />

but silent during the service, there were now prescribed hymns in the vernacular. Most<br />

importantly, for those whose livelihood was supported by music-making, the performance of<br />

instrumentally-accompanied masses was now only permitted on Sundays and holy days, with<br />

instrumental vespers forbidden entirely. As dramatic as these reforms were, they represented<br />

the culmination of several decades of state intervention in the character of religious services<br />

and their music, and Joseph II was in many respects following the lead of his mother in<br />

seeking to moderate liturgical opulence.<br />

8 RGZJ, 138. See the listing of new parishes in Anon., Neue Pfarreintheilung in der k. k. Haupt- und<br />

Residenzstadt Wien und allen Vorstädten inner den Linien (Vienna: Johann Thomas von Trattner, 1783).<br />

4

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