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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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Begehren nicht gewilliget werden.” Soon after, the Council had a change of heart, perhaps<br />

after representations were made for Mozart by members of the Imperial court. It is evident<br />

from other documents that such reversals were a common feature of Council decision-<br />

making, and do not necessarily imply political manoeuvring either for or against Mozart’s<br />

application. Perhaps the councillors were eventually swayed by the advantages of a smooth<br />

transition from one Kapellmeister to another without a competitive and lengthy recruitment<br />

process, and desired also to send a message to their recalcitrant incumbent that his services<br />

were expendable.<br />

On 9 May, the Council drafted a letter of appointment for Mozart, shown in Figure<br />

4.13. 120 Written principally by the Council secretary, Johann Hübner, it contains additions<br />

and corrections in the hand of Johann Adam Geiger, a senior member of the Council, and<br />

one further unidentified hand. 121 The following day, fair copies of this appointment letter<br />

were sent to Mozart, to Hofmann and to Furthmoser, as a note by Hübner reveals. 122<br />

Strangely enough, the only known newspaper report of the appointment appeared in the<br />

Pressburger Zeitung on 21 May, although it is entirely possible that Viennese accounts are<br />

unidentified or lost: “Wien. Der Hofkompositor Mozart hat von dem hiesigen Magistrat die<br />

Erwartung auf die 2000 Gulden eintragende Kapellmeisterstelle bey Sankt Stefan<br />

erhalten.” 123 It would be interesting to know from where the newspaper obtained this<br />

120 The same day, Hübner wrote on Mozart’s application, “Über das an den Hl: Bittsteller ausgefertigte dekret<br />

bei der Registratur aufzubehalten.” A note of the correspondence appears in the Council’s index, A-Wsa, HR B<br />

1/20, f. 57r, 171r. Both these notes are missing from Deutsch, Dokumente and its supplements.<br />

121 The unidentified hand was responsible for the insertion “auf sein bittliches Ansuchen.” The four lower<br />

additions are in the hand of Geiger.<br />

122 Mozart’s copy of the appointment letter was kept with his autograph letter of application, and was formerly<br />

in Floersheim’s collection. Hofmann’s and Furthmoser’s copies are not known to survive.<br />

123 Deutsch, Dokumente, 347; Eibl, Addenda, 66. Mozart’s post was mentioned by Constanze in her petition to<br />

Leopold, and in passing in the Stockholms-Posten of 2 January 1792. Deutsch, Dokumente, 372; Eibl, Addenda,<br />

76.<br />

2<strong>91</strong>

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