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MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

MOZART AND THE PRACTICE OF SACRED MUSIC, 1781-91 a ...

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their music, although it is possible that the group of five behind them and those further back<br />

were also involved; see Figure 4.8. 43<br />

Figure 4.8. Detail of 1782 engraving, showing singers at St. Stephen’s Cathedral.<br />

The St. Stephen’s inventory prepared under Gansbacher shows no sign of the Reutter<br />

mass. However, both a score and a set of parts for it survive in the Hofkapelle collection that<br />

may well have been associated with this performance. 44 The parts are dated 1765, but they<br />

were subject to later modification and addition by Perschl and others and were in use as late<br />

as 1884. 45 As it happens, there are five copies of each vocal part, although it would be unwise<br />

43 A watercolour painting by Wenzel Staul, based on the engraving and dated August 1789 depicts the figures<br />

holding what is clearly music, not the blank paper of Schütz’s depiction. For a facsimile see 850 Jahre St.<br />

Stephan: Symbol und Mitte in Wien 1147-1997, (Vienna: Museen der Stadt Wien, 1997), 275.<br />

44 The score is A-Wn, HK 1895, and the parts are A-Wn, HK 1256.<br />

45 One copy of the Violino Primo part contains “graffiti” noting the death of Wagner on 13 February 1883.<br />

Many of the outer bifolia in these parts were removed in the nineteenth century and replaced by new copies<br />

prepared by Perschl and two other copyists, perhaps because the originals had become damaged.<br />

265

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