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ovdje - Hrvatsko filozofsko društvo

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na pitanja: Kakav je status starosti i starih žena u predmodernim kulturama?<br />

Kako kultura u kojoj živimo tretira starenje? Što znači biti stara žena?<br />

Što nam odnos prema starenju i starim osobama, posebno starim ženama,<br />

govori o kulturi i društvu u kojem živimo? Rad se temelji na analizi problematike<br />

starenja i životnih naracija starijih žena prezentiranim u romanu<br />

Dubravke Ugrešić Baba Jaga je snijela jaje (2008). Pritom se posebno<br />

provokativnom pokazuje ambivalentna i nadasve kontroverzna mitološka<br />

junakinja Baba Jaga, koja – reinterpretirana u feminističkom ključu – u<br />

sebi nosi nova značenja i emancipacijski potencijal za žene svih dobi.<br />

WHO’S AFRAID OF BABA YAGA?<br />

About Growing Old from Gender Perspective<br />

Despite the fact that the growth of the old age population is noticeable<br />

in the most European societies (and in the Croatian society as well), the<br />

issues of growing old and personal experience of the old age population,<br />

old women in particular, remain unnoticed. In the culture fascinated by<br />

youth, old age is perceived in stereotypical ways, with a lot of prejudice, taboos<br />

and fears that result in many negative perceptions and discriminative<br />

practices. In this context there are some unavoidable questions considered:<br />

What was the status of the old age and old women in pre-modern cultures?<br />

In which way the contemporary culture treats growing old? What does it<br />

mean to be an old woman? What do the attitudes towards growing old and<br />

old persons, especially towards old women, reveal about the culture and the<br />

society we live in? The paper is based on the analysis of aging issues and<br />

life narratives of elderly women presented in the novel Baba Yaga Laid an<br />

Egg (2008) by Dubravka Ugrešić. In doing so, Baba Yaga, the ambivalent<br />

and highly controversial mythological heroine has been shown as a greatly<br />

provocative character that – reinterpreted in the feminist key – assumes<br />

new meanings and emancipatory potential for women of all ages.<br />

59

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