Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
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The Coopers & Lybrand Report (1988)<br />
3.5 The first ever review of the management structure of <strong>Carnival</strong> was carried out by the<br />
management accountancy firm Coopers & Lybrand in 1988. At that time the <strong>Notting</strong> <strong>Hill</strong><br />
<strong>Carnival</strong> and Arts Committee Ltd (CAC), a company established in 1984, was the <strong>Carnival</strong><br />
organiser. Prior to this, the <strong>Carnival</strong> had been run by a voluntary organisation with a<br />
management committee. CAC had a board of directors who were duly elected by the<br />
membership of the organisation. The report made a number of critical observations in relation<br />
to the structure of CAC, most notably:<br />
3.5.1 The absence of a full complement of staff had placed the board of directors in a<br />
peculiar executive role, resulting in diffused and unclear lines of responsibility with<br />
no formal reporting relationship between the staff and the board. The report found<br />
that board members were actively participating in the day-to-day management of the<br />
company in the run-up to the <strong>Carnival</strong>.<br />
3.5.2 Board membership, although made up of dedicated individuals had not been<br />
structured to take on board specialists with specific skills that would assist the<br />
organisation to formulate policy or strategy. There appeared to be no evidence of<br />
board members being selected on the basis of the relevant skills they could offer as<br />
well as their commitment to serve in a voluntary capacity.<br />
3.5.3 The carnival constituency appeared to have no formal representation on the board.<br />
3.6 Interviews with key stakeholders revealed that many doubted the CAC board’s ability to<br />
manage the organisation. Reasons given related to professional capabilities, historical<br />
relationships with funding organisations, unsatisfactory board appointments and restrictions<br />
on community involvement in the planning process. In addition, the CAC board had, in the<br />
preceding two years, received qualified accounts pointing to an absence of proper and<br />
effective financial and accounting policies and procedures. The organisation had never<br />
employed more than three members of staff who, in conjunction with the voluntary and full<br />
time participation of the treasurer, secretary and the rest of the board arranged all <strong>Carnival</strong><br />
events. Moreover, there were no formal reporting mechanisms by which the board could<br />
monitor the organisation’s financial status, operational activities or policy objectives.<br />
3.7 The Coopers report pointed to <strong>Carnival</strong>’s changing situation, namely that the event had<br />
evolved from being a small Caribbean event into a “truly Black British” event. The report<br />
argued that as the <strong>Carnival</strong> continued to grow, the influence of its British environment would<br />
continue to increase also, with a greater participation in the <strong>Carnival</strong> of a wider, more diverse<br />
cultural and ethnic base. Having developed a character all of its own, the implications of such<br />
growth were identified as being:<br />
3.7.1 the current ‘ownership’ attitude towards the <strong>Carnival</strong> by the organisers would, the<br />
report argued, have to adjust as community participation increased and a stronger<br />
influence over the event was sought.<br />
3.7.2 the membership of the <strong>Carnival</strong> organisation would have to increase to accommodate<br />
this wider participation. The report argued that the organisation would have to<br />
recognise and accept this as a necessary process in the growth of any community<br />
group.<br />
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