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Notting Hill Carnival Strategic Review - Intelligent Space

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The Coopers & Lybrand Report (1988)<br />

3.5 The first ever review of the management structure of <strong>Carnival</strong> was carried out by the<br />

management accountancy firm Coopers & Lybrand in 1988. At that time the <strong>Notting</strong> <strong>Hill</strong><br />

<strong>Carnival</strong> and Arts Committee Ltd (CAC), a company established in 1984, was the <strong>Carnival</strong><br />

organiser. Prior to this, the <strong>Carnival</strong> had been run by a voluntary organisation with a<br />

management committee. CAC had a board of directors who were duly elected by the<br />

membership of the organisation. The report made a number of critical observations in relation<br />

to the structure of CAC, most notably:<br />

3.5.1 The absence of a full complement of staff had placed the board of directors in a<br />

peculiar executive role, resulting in diffused and unclear lines of responsibility with<br />

no formal reporting relationship between the staff and the board. The report found<br />

that board members were actively participating in the day-to-day management of the<br />

company in the run-up to the <strong>Carnival</strong>.<br />

3.5.2 Board membership, although made up of dedicated individuals had not been<br />

structured to take on board specialists with specific skills that would assist the<br />

organisation to formulate policy or strategy. There appeared to be no evidence of<br />

board members being selected on the basis of the relevant skills they could offer as<br />

well as their commitment to serve in a voluntary capacity.<br />

3.5.3 The carnival constituency appeared to have no formal representation on the board.<br />

3.6 Interviews with key stakeholders revealed that many doubted the CAC board’s ability to<br />

manage the organisation. Reasons given related to professional capabilities, historical<br />

relationships with funding organisations, unsatisfactory board appointments and restrictions<br />

on community involvement in the planning process. In addition, the CAC board had, in the<br />

preceding two years, received qualified accounts pointing to an absence of proper and<br />

effective financial and accounting policies and procedures. The organisation had never<br />

employed more than three members of staff who, in conjunction with the voluntary and full<br />

time participation of the treasurer, secretary and the rest of the board arranged all <strong>Carnival</strong><br />

events. Moreover, there were no formal reporting mechanisms by which the board could<br />

monitor the organisation’s financial status, operational activities or policy objectives.<br />

3.7 The Coopers report pointed to <strong>Carnival</strong>’s changing situation, namely that the event had<br />

evolved from being a small Caribbean event into a “truly Black British” event. The report<br />

argued that as the <strong>Carnival</strong> continued to grow, the influence of its British environment would<br />

continue to increase also, with a greater participation in the <strong>Carnival</strong> of a wider, more diverse<br />

cultural and ethnic base. Having developed a character all of its own, the implications of such<br />

growth were identified as being:<br />

3.7.1 the current ‘ownership’ attitude towards the <strong>Carnival</strong> by the organisers would, the<br />

report argued, have to adjust as community participation increased and a stronger<br />

influence over the event was sought.<br />

3.7.2 the membership of the <strong>Carnival</strong> organisation would have to increase to accommodate<br />

this wider participation. The report argued that the organisation would have to<br />

recognise and accept this as a necessary process in the growth of any community<br />

group.<br />

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