Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
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1.11 A third aspect of the <strong>Review</strong> Group’s work was the commissioning of independent research to<br />
support the investigation process and secure additional expertise in addressing key elements of<br />
the strategic review. Two significant and groundbreaking studies were commissioned in this<br />
regard:<br />
1.11.1 <strong>Carnival</strong> Public Safety Project: a two-year analysis of the <strong>Carnival</strong> route, crowd buildup,<br />
movement and dispersal using computer modelling and established risk<br />
assessment guidelines; and<br />
1.11.2 Economic Impact Study: commissioned by the London Development Agency on behalf<br />
of the <strong>Review</strong> Group, an analysis of the <strong>Carnival</strong>’s economic contribution to the local<br />
and regional economy was carried out in 2002.<br />
1.12 In addition to these two studies, a professional evaluation of the stewarding operation was<br />
carried out in 2001.<br />
Recommendation<br />
Understanding <strong>Carnival</strong> and Why It Exists<br />
1. We believe that a greater awareness of the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong>’s history and how it came into<br />
being is critical to transforming the way in which the event is portrayed and ultimately perceived<br />
by the public. As the principal custodians of the event, those responsible for organising and<br />
delivering the <strong>Carnival</strong> must play a more proactive role in co-ordinating and initiating the<br />
collection, preservation and dissemination of information about the <strong>Carnival</strong>’s history,<br />
contemporary significance and meaning. We recommend the adoption of a more strategic<br />
approach to the development of a <strong>Carnival</strong> Archives and Heritage Collections programme.<br />
Possible programme partners could include organisations and institutions such as the Archives,<br />
Libraries and Museums (ALM), Museum of London, Victoria & Albert Museum, Kensington &<br />
Chelsea Community History Group and the Horniman Museum.<br />
Origins<br />
1.13 Nowhere has the relationship between black cultural expression, social, economic, political and<br />
institutional policing been more definitively illustrated than through the evolution of the <strong>Notting</strong><br />
<strong>Hill</strong> <strong>Carnival</strong>. Whilst only a brief overview and analysis of the origins of <strong>Carnival</strong> can be provided<br />
in this report, its inclusion is of paramount importance for the consideration of issues and<br />
concerns facing the festival today. A true appreciation of the significance, meaning and<br />
complexities of the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> can never be attained unless one first acknowledges the<br />
multi-dimensional nature of an event that has been shaped by its historical, political, cultural and<br />
community origins. Consideration of these overlapping and sometimes competing frameworks<br />
are central to our appreciation of what the <strong>Carnival</strong> stands for, its appeal to diverse audiences, its<br />
relationship to statutory agencies (and in particular the police and local authorities) and its<br />
undeniable uniqueness.<br />
“It is often forgotten that carnival at <strong>Notting</strong> <strong>Hill</strong> and those mirrored in other parts of Britain, is based<br />
on a historically and culturally-specific model, borne out of an unfortunate, yet relevant historical<br />
context: i.e. European expansion, colonization and slavery in the Caribbean islands, especially Trinidad<br />
and Tobago.” 22<br />
22<br />
Patricia Alleyne-Dettmers, “<strong>Carnival</strong>: The Historical Legacy”, p1, 1996<br />
35