Notting Hill Carnival Strategic Review - Intelligent Space

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Appendices
Appendix 1 Selected Bibliography Alleyne-Dettmers P (1998) Ancestral voices :Trevini – A case study of meta masking in the Notting Hill Carnival, Journal of Material Culture Volume 3 issue 2 Alleyne-Dettmers P (1997) ‘Tribal Arts - A case study of global compression in the Notting Hill Carnival', in Eade, J Living the Global City, London: Routledge Alleyne-Dettmers, P (1998) ‘Ancestral Voices: TREVINI – A Case study of Meta-masking in Notting Hill Carnival’, Journal of Material Culture, Vol 3, No.2 Alleyne-Dettmers, P (1996) National Carnival Database. The Handbook: in celebration of Carnival. UK: Arts Council of England Publication. Alleyne-Dettmers P (1996) The National Carnival Databse, published under other research output in Britain’s Research Assessment Exercixe for the Academic Community. UK: Department of Sociology & Social Policy, Roehampton Institute, London Alleyne-Dettmers P (1995) ‘Political Dramas in Jour Ouvert’ in Trinidadian Carnival Caribbean Studies, Vol. 28 No.2 pp326-337. Arts Council of Great Britain (1986) Masquerading, The Art of Notting Hill Carnival, London:Arts Council Association for a People's Carnival (1989) ‘Police carnival' 1989. A report on the 1989 Notting Hill Carnival, London: Association for a People's Carnival. Back,L (1996): ‘New Ethnicities and Urban Culture: Racisms and Multiculture’ in Young Lives. London:UCL Press Bowdin, G, McDonnell, Allen, J, O’Toole, W (2001) Events Management, Butterworth-Heinemann Boyd J (1989), Equality issues in primary schools, Paul Chapman Publishing British Arts Festivals Association (2001) Festivals mean business Cam, J, Elia R & Lawlor, T (1998) Masquerade: schemes of work for Art in the primary schoo,l London: The Visual Learning Unit Cashmore, E (1997) The Black culture industry, London: Routledge Cashmore, E (1984), A Dictionary of Race and Ethnic Relations London: Routledge & Kegan Paul Chelliah R (1999) Arts and regeneration, Local Government Information Unit Cohen, A (1993) Masquerade Politics: explorations in the structure of urban cultural movements, Oxford; Berg. Cohen, A, (1982) ‘A polyethnic London carnival as a contested cultural performance’ in Ethnic and Racial Studies vol 5, no 1 Cohen, A (1980) ‘Drama and politics in the drama of a London Carnival’, Man, new series, Vol. 15 pp65-87 Comma, V (1986) ‘Carnival in London’ in Masquerading, The Art of Notting Hill Carnival, London: Arts Council Coopers & Lybrand management consultants (1988) Carnival and Arts Committee, Organisation Review Cowley, J (1996) Carnival canboulay and calypso. Traditions in the making, Cambridge: Cambridge University Press Cultural Strategy Partnership for London (2000), Culture & the city: ten ways to make a difference, London: Cultural Partnership for London Dash, P. (1994) Art and Design Education and African Caribbean Children (Notebook Series, London, Institute of Education). Dash, P. (1999) ‘Towards a more inclusive curriculum: an African Caribbean perspective’, Journal of Art and Design Education, 18, 1, 123-127. Deneslow, Robin (1989), When the Music's Over: The Story of Political Pop. London: Faber & Faber. Department for Culture Media and Sport, Department for Culture Media and Sport (2000) Creating opportunities: guidance for local authorities in England on local cultural strategies Department for Culture Media and Sport Department (2001) Culture and creativity: the next ten years. Donnell, A (2001) Companion to Black British Culture, London: Routledge Dorn A (2001), ‘Race: recent research in historical perspective’, ACE Bulletin, Volume 99, pp12-13 Duerden, D (1980) ‘The meaning of Carnival’, New Society, vol 53, no.929, pp357-359 Eade J (1997) Living the global city: globalization as a local process, London: Routledge Eggleston J (1995) Arts education for a multicultural society, Trentham Books English Tourism Council (2000), Action for attractions, English Tourism Council Eshun E, Bond St to Brick Lane via Borough, New Statesman, Special Supplement 10 Apr 2000 Farrar, M (1998), ‘Chaos of Carnival’, New Statesman & Society, vol 1, no9, pp26-27 165
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Notting Hill Carnival A Strategic R
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Contents Foreword Preface Carnival
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Preface Lee Jasper, Policy Director
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This strategic evaluation was made
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The Challenge: Executive Summary Th
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• recognises the grassroots natur
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provide the level of flexibility re
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• the development of a four-year
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SEU TEZ TfL WCC Social Exclusion Un
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and delivering these events has gro
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(a) the development of a multi-agen
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to commit considerable resources in
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(b) establish a Carnival Arts Educa
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Introduction The Review Process Und
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increase its overall investment in
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1.4.3 the involvement of and consul
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1.11 A third aspect of the Review G
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surgery of another Trinidadian, Dr
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mobilising strategy, which allowed
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ecause the plight of minority ethni
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are shown in Figure 1 below as blue
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Practice was introduced in 1993, se
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6. It is the responsibility of the
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1.53.2 lack of general awareness of
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planning process of Carnival. A key
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not be allowed onto the Carnival ro
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made available to provide opportuni
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1.76 The role of the media in shapi
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Public Safety, Responsibility & Acc
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initiate discussions with DCMS, GOL
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presented and was unable to provide
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The Issue of Public Safety Recommen
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2.4 In the main, whilst these recom
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Underground and London Transport pr
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number key public safety issues and
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Table 3: Carnival Public Safety Mat
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Stewarding & Route Management at Ca
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times, interrupted or delayed. A nu
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issues ranging from accommodation,
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Crime at Carnival 2.28 Making safe
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Event Management and Close Down Tim
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number of casualties treated - 598,
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• The installation of a temporary
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2.53 In 2000, the circular Carnival
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Analysis of Carnival 2001 2.59 In A
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Figure (6): Barrier Locations at th
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2.70.3 floats reduce available spac
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West-East “Ell” Route: the West
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circular route. The lowest route cr
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of the Carnival procession would be
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Evaluating the Carnival Public Safe
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Wider Implications for Major Events
Page 111 and 112: survey evidence on visitor numbers
Page 113 and 114: Independent Strategic Co-ordination
Page 115 and 116: framework for land use and developm
Page 117 and 118: Carnival Management & Leadership In
Page 119 and 120: 19. A clear distinction must be dra
Page 121 and 122: The Coopers & Lybrand Report (1988)
Page 123 and 124: Table 10: Three-Year Executive Mana
Page 125 and 126: The Arts Council Review (2001) 3.18
Page 127 and 128: job description and progression Art
Page 129 and 130: Carnival - at least in the short to
Page 131 and 132: The Value of Carnival Funding Carni
Page 133 and 134: (a) create a new post of Carnival A
Page 135 and 136: Carnival as Part of a Wider Strateg
Page 137 and 138: 4.7 Held annually on the late May b
Page 139 and 140: • the first year of the Lambeth S
Page 141 and 142: The Benefits of Carnival Arts in Te
Page 143 and 144: carnival art projects. Although it
Page 145 and 146: esearch that is already available w
Page 147 and 148: • the key infrastructure and oper
Page 149 and 150: evenues within the industry are all
Page 151 and 152: meals and microwaveable snacks mean
Page 153 and 154: aise sponsorship in 2001 was as a d
Page 155 and 156: Part V: Future Vision - The Way For
Page 157 and 158: additional growth-related stresses)
Page 159 and 160: London Carnival Development Program
Page 161: Priority Areas No Key Recommendatio
Page 165 and 166: London Arts Board (2000) Making a d
Page 167 and 168: The Greater London Authority Carniv
Page 169 and 170: • How could health and safety fac
Page 171 and 172: Stephen Hotson Area Commander, Brit
Page 173 and 174: 1. We believe that NHCT must be sup
Page 175 and 176: 7. In relation to the content of Ca
Page 177 and 178: Day/Date Presenters Topic of Discus
Page 179 and 180: Veteran’’, he has over 35 years
Page 181 and 182: Goldsmiths College, the Caribbean C
Page 183 and 184: Appendix 8 The Carnival Code As the
Page 185 and 186: Notes 187
Page 187: Notes 189
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