Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
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4.7 Held annually on the late May bank holiday, the Luton International <strong>Carnival</strong> is the secondlargest<br />
street carnival in the UK 87 . It attracts carnivalists from all over the world and draws<br />
audiences of over 150,000 to Luton’s streets. The success of the <strong>Carnival</strong> sits at the heart of<br />
Luton’s strategies for regeneration, partly as a way of repositioning the town and celebrating<br />
its diverse cultural mix, and partly through the development of a major new centre for <strong>Carnival</strong><br />
Arts. With £5 million of arts capital committed by the Arts Council of England, the Council<br />
and its partners intend, by 2007, to have established the UK’s major centre for the study and<br />
practice of <strong>Carnival</strong> in Luton. The new centre will provide excellent facilities for <strong>Carnival</strong><br />
artists and its programme of community and outreach work will ensure that communities,<br />
especially young people, in Luton, have access to new skills and high quality events.<br />
4.8 Luton <strong>Carnival</strong> Trust intends to invite carnivalists of international renown to take up<br />
residencies in Luton as visiting artists, bringing with them a variety of carnival styles from the<br />
Caribbean, Europe, Africa, South America and Asia. Their expertise will contribute to a<br />
flowering of artistic content, and local communities and individuals in Luton will have<br />
opportunities to learn carnival skills and take part in a range of related activities. The<br />
international exchange will work both ways, with opportunities for Luton <strong>Carnival</strong> artists to<br />
work with other international carnivals.<br />
A Permanent Home for <strong>Carnival</strong> Arts in London<br />
4.9 <strong>Notting</strong> <strong>Hill</strong> is regarded by many as the ‘spiritual’ home of the Caribbean-influenced carnival<br />
in the UK. Many have argued that there appears to be little or no permanent recognition of<br />
the role played by the <strong>Carnival</strong> and the positive effect that it has had on regenerating the<br />
North Kensington area. Rather, every effort is made to ‘clear away’ the presence of the<br />
<strong>Carnival</strong> until such time as the August bank holiday weekend comes around again.<br />
4.10 The need for a permanent home that would act as a vehicle to support the development and<br />
showcasing of the carnival arts, create employment, business and marketing opportunities has<br />
been discussed within the <strong>Carnival</strong> community for a number of years, but if the <strong>Carnival</strong> is to<br />
realise its full potential, much more must be done to ensure that the creation of a permanent<br />
‘Centre for <strong>Carnival</strong> Arts and Enterprise’ within <strong>Notting</strong> <strong>Hill</strong> is made a reality. The LDA has<br />
already earmarked £4.2 million for such an initiative.<br />
<strong>Carnival</strong> Arts and Education<br />
Recommendations<br />
18 - There is no doubt that the social and educational value of the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong>, through its<br />
promotion of the carnival art form has been significant. The work of carnival arts-related<br />
organisations and groups is demonstrative of the positive contributions that they have been making<br />
in the areas of educational enrichment and achievement. This work continues to be overlooked and<br />
we therefore believe that a more detailed study should be conducted into the educational potential<br />
and benefits of the <strong>Carnival</strong> Arts, together with the possible linkages that could be made to existing<br />
curricular and lifelong learning programmes. Such a study could be funded by the Department of<br />
Education and Skills and would include: (a) a mapping of past and present carnival arts and education<br />
initiatives; (b) researching areas of good practice in the development of carnival and carnival arts in<br />
87<br />
‘Culture: A Catalyst for Change – A Strategy for Cultural Development for the East of England’, The Cultural Consortium for the East<br />
of England, p9<br />
140