Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
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(a) create a new post of <strong>Carnival</strong> Arts Education Officer with the specific responsibility of liasing<br />
with schools, facilitating school-community partnerships and developing <strong>Carnival</strong> education<br />
resources;<br />
(b) establish a <strong>Carnival</strong> Arts Education Network, which will act as a forum for information<br />
exchange, partnership and curriculum development between teachers, academics,<br />
carnivalists, museums, libraries, schools, community groups and musicians; and<br />
(c) the possible creation of a London <strong>Carnival</strong> Schools’ Competition. If the Trinidad model were<br />
to be followed, the competition would have several elements, including a school steel band<br />
competition, calypso competition and costume band competition. The competitions would<br />
need to take place at the end of the summer term preceding the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> and<br />
would provide an incentive for school-based carnivals, which tend to happen at this time.<br />
21. <strong>Notting</strong> <strong>Hill</strong> is and always will be the ‘spiritual’ home of the <strong>Carnival</strong>. We believe that the <strong>Carnival</strong><br />
arts movement in London, which has been an inspiration for many and shared their expertise to<br />
support the emergence of other Caribbean-influenced carnivals – both nationally and<br />
internationally –, now deserves a permanent home within <strong>Notting</strong> <strong>Hill</strong>. We are strongly in favour<br />
of the creation of a dedicated Centre for <strong>Carnival</strong> Arts and Enterprise that will, amongst other<br />
things, serve as a ‘Centre of Excellence’ for the development, promotion and teaching of the<br />
<strong>Carnival</strong> arts and <strong>Carnival</strong> arts management. We recommend that the development and delivery<br />
of this major initiative be placed on the agenda of the Mayor’s strategic forum [see<br />
recommendation 24].<br />
22. Whilst we recognise the importance of the <strong>Carnival</strong> Funders’ Group as a forum for key funding<br />
organisations to exchange information and assess the funding priorities of the <strong>Notting</strong> <strong>Hill</strong><br />
<strong>Carnival</strong>, we believe that greater importance must be placed on the long-term funding<br />
requirements of the event and the <strong>Carnival</strong> industry. It is our recommendation that the Mayor<br />
establish a high-level strategic forum to prioritise and co-ordinate the <strong>Carnival</strong>’s long-term<br />
sustainability and economic independence. Membership of this forum should, in the first<br />
instance, comprise of representatives of the LDA, ACE, GLA, GOL, DCMS, LRF and Visit London.<br />
23. Discussions about the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> have overwhelmingly focused on issues of public<br />
safety and the cost of the event. We believe that the LDA’s assessment of the <strong>Carnival</strong>’s<br />
economic contribution and future growth potential now provides us with an opportunity to<br />
balance these discussions and achieve a more equitable cost-benefit analysis of what the <strong>Carnival</strong><br />
has to offer as a key vehicle for social and economic regeneration. As a seminal piece of research<br />
we welcome the report and its recommendations. Further, we strongly recommend that the LDA<br />
utilise the report and its findings to devise and implement a 4-year <strong>Carnival</strong> Economic<br />
Development Strategy so as to ensure that the <strong>Carnival</strong> community truly benefits from the money<br />
it generates.<br />
24. The <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> has and continues to be an important vehicle for the promotion of black<br />
music, the development of live music audiences and the showcasing of London’s creative and<br />
artistic talent. The mobile and static sound system djs are the key drivers in this regard, since<br />
they are primarily responsible for determining the type and style of music played and promoted<br />
within the <strong>Carnival</strong> entertainment area. We strongly believe that positive action must be taken to<br />
harness the <strong>Carnival</strong>’s unique potential. It is therefore our recommendation that a <strong>Carnival</strong> music<br />
policy and strategy be developed and implemented with a view to:<br />
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