Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
Notting Hill Carnival Strategic Review - Intelligent Space
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• recognises the grassroots nature of the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> and argues for greater<br />
accountability and democratic ownership of the event by the wider carnival constituency.<br />
Part IV: The Value of <strong>Carnival</strong><br />
The true value of the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong>, in social, economic and cultural terms, has received little<br />
recognition in the past. Members of the wider carnival arts community have consistently expressed<br />
their growing disappointment at the way in which the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> has been portrayed in the<br />
media and the lack of recognition afforded to them for the cultural and artistic development and<br />
educational work that they undertake within schools and their communities. This section:<br />
• describes the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> as a ‘community of interest’ – people linked together by a<br />
shared vision and concern. The history of the <strong>Carnival</strong> clearly demonstrates how, in adverse<br />
conditions, a cultural event became a vehicle for community self-help, a movement towards<br />
self-sufficiency, empowerment, participation and involvement;<br />
• offers a definition of the ‘carnival arts’ as emanating from the cultural traditions of Africa, Latin<br />
America and the Caribbean. It argues that from a variety of perspectives, the carnival arts are<br />
extremely valuable in promoting new learning ideas as well as multicultural awareness within<br />
the classroom and in higher education;<br />
• provides rich examples of the social, cultural, human and intellectual capital that has always<br />
existed within the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> and the wider carnival arts industry; and<br />
• examines the ‘business of <strong>Carnival</strong>’ and its significant economic contribution and potential. It<br />
argues for a fairer assessment of an event that generated £93 million in 2002 and offers an<br />
analysis of how this economic potential can be harnessed to ensure that the <strong>Carnival</strong> is able to<br />
develop into a truly independent and sustainable festival.<br />
Part V: Future Vision: The Way Forward<br />
As the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> grows, sustained success will be directly related to careful management of<br />
the <strong>Carnival</strong>, particularly in the areas of public safety, community leadership, economic development<br />
and environmental impact. This section:<br />
• identifies possible ways forward for prioritising and strengthening public safety planning for the<br />
<strong>Carnival</strong>;<br />
• utilises the <strong>Review</strong> Group’s recommendations as the basis for a four-year ‘London <strong>Carnival</strong><br />
Development Programme’ that will focus on the following priority areas:<br />
a) <strong>Strategic</strong> management and leadership<br />
b) Community outreach and development<br />
c) Event operation and management<br />
d) Fundraising and finance<br />
e) Sustainable economic development<br />
f) Marketing, branding and promotion<br />
• argues that the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong>’s true economic and social potential can only be realised<br />
through strong community-based management and leadership that is supported by all the<br />
relevant stakeholders. The real challenge will be to conceive of the <strong>Carnival</strong> in new ways,<br />
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