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Notting Hill Carnival Strategic Review - Intelligent Space

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“Arts and sport are inclusive and can contribute to neighbourhood renewal. They can build<br />

confidence and encourage strong community groups. However, these benefits are frequently<br />

overlooked both by some providers of arts and sport facilities and programmes and by those<br />

involved in area regeneration programmes.” 86<br />

4.4 The PAT 10 report identified the various distinctive contributions which the arts have to offer<br />

when tackling the root causes of social exclusion:<br />

4.4.1 Growing industries - arts (and sport): are closely connected to the rapidly growing<br />

creative, leisure and tourism industries, which in turn provide powerful positive role<br />

models for those living in deprived neighbourhoods; bring economic benefits both to<br />

communities, with increased employment opportunities, and to individuals, by<br />

equipping them with transferable skills; and help develop the personal confidence,<br />

flexibility and self-reliance on which success in the changing employment market<br />

increasingly depends.<br />

4.4.2 Engaging and strengthening local communities - (arts and sport): lend themselves<br />

naturally to voluntary collaborative arrangements which help to develop a sense of<br />

community; help communities to express their identity and develop their own, selfreliant<br />

organisations; and relate directly to individual and community identity, the<br />

very things which need to be restored if neighbourhoods are to be renewed.<br />

Recognising and developing the culture of marginalized people and groups directly<br />

tackles their sense of being written out of the script.<br />

4.4.3 Emphasis on people, not buildings or places - (arts and sport): are activities in which<br />

people participate willingly, and in which there is widespread interest, including<br />

among people at risk of social exclusion; give individuals social, organisational and<br />

marketable skills; can communicate directly with individuals and groups and bring out<br />

hidden talents which have a lasting effect on the person’s life; give individuals<br />

greater self-respect; self-confidence and a sense of achievement; and can contribute<br />

to greater self-esteem and improved mental well-being.<br />

4.5 Over the years, the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> has proved itself to be a significant vehicle for<br />

positive community engagement in the arts. In addition, the impact of this cultural festival<br />

has not been confined to <strong>Notting</strong> <strong>Hill</strong> or indeed the Capital. Many have been unaware of the<br />

major role played by the <strong>Carnival</strong> organiser and London-based carnival groups in establishing<br />

and breathing life into regional carnivals up and down the country. Indeed, a critical feature<br />

of the <strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong>’s year-round agenda of activities has been its annual national<br />

touring programme, made possible through funding from the Arts Council. In 1998,<br />

organisers of the Laid and Pond Festival at Stoke-on-Trent appointed experts from the<br />

<strong>Notting</strong> <strong>Hill</strong> <strong>Carnival</strong> to help them train people in carnival arts and design.<br />

The Luton <strong>Carnival</strong> Experiment<br />

4.6 Since the closure of its Vauxhall plant, Luton has resolved to reposition itself. With excellent<br />

national and international links via road, rail and air, a culturally diverse population and a<br />

university, Luton has much on which to build for the future. The town’s cultural profile is at<br />

the heart of its strategies for community revival and it has identified its annual carnival as the<br />

asset that it hopes will put it on the international cultural map.<br />

86<br />

Department of Culture Media and Sport Policy Action Team 10 (PAT 10) Report (1999), p5<br />

139

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