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Volu m e II - Purdue University Calumet

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from the pages of these otherworldly tomes? Stephanie Meyers, the author of the series, makes it clear that<br />

these books are merely ‘fantasy’ and should be read as such. But that trivializing and dismissive explanation<br />

only serves to bypass readers’ critical thinking, making it easier to let themes and beliefs about a subject go<br />

unquestioned and sometimes even unacknowledged. I will argue that it is not so much the ‘messages’ that<br />

this series delivers, but how this series fits into the larger cultural systems that perpetrate passivity and<br />

innocence as the only form of appropriate sexual expression for women. In the following pages, I will<br />

examine key scenes from the Twilight series to show the reactionary and contradictory views presented as<br />

‘normal’ female sexuality to girls as they are developing their sexual identity. From the title book of the<br />

series, I will look at the infamous scene in the clearing where I will make the argument that this is where<br />

Bella swan’s sexuality is first awakened by Edward’s kiss. I will argue that this is actually the primary scene<br />

of the series because it begins the exchange that is central to the ‘romantic’ aspects of Bella and Edward’s<br />

relationship, which in turn fetishizes the act of self-denial and innocence. In the second book of the series, I<br />

will focus on the cessation of Bella’s story that ultimately culminates in her and Edward’s suicide attempts.<br />

There will only be brief reference to Jacob Black here because Meyer uses him mainly as a plot device and<br />

his character is not as full developed as the main characters. Eclipse, the third book, is primarily used to set<br />

up Breaking Dawn, but contains important interactions and dialogue between the couple that demonstrate<br />

the ‘proper’ give-and-take of a heterosexual relationship. Breaking Dawn’s focus is mainly the marriagehoneymoon-pregnancy<br />

triumvirate that culminates in Bella’s transformation to superhuman. This<br />

combination of events normalizes and ennobles the act of female sacrifice, as well as glorifies the<br />

transformative powers of that sacrifice. These scenes, as they make up the series, centralize the ideal of<br />

romantic relationships as paramount to creating one’s identity in a girl’s mind and offers marriage as the<br />

logical and liberating end to this search.<br />

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