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Volu m e II - Purdue University Calumet

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absent from this one. Liberty Valance will take place entirely with the constructs of modern civilization, the<br />

town of Shinbone. The freedom and individualism that the valley represented has been eliminated by this<br />

point. Rather than portraying civilization as struggling to make a place for itself in this film, it is already<br />

established. Even the one shot the audience sees of openness is impeded by society. A train –the hackneyed<br />

symbol of progress in the Western- runs through the very heart of the wilderness. There is no place that<br />

civilization has not reached by this point, and there is no place left for the individual to retreat. The only<br />

sense Ford gives of a place for the individual within the town is through the outside. Many of the scenes shot<br />

in the film’s “present” are interior, representative of the settled nature of the “present”. Meanwhile the<br />

scenes in the flashback are primarily exterior or in Hallie’s family restaurant, both locations that will be<br />

“tamed” with the presence of Stoddard.<br />

When Link takes Hallie for a ride to the remains of Doniphon’s ranch, outside the town limits, the<br />

place appears ghostlike, deserted and reduced to ashes. Nature could only flourish before the days of<br />

civilization. Doniphon’s dream of settling down in that house would never be achieved. Throughout all the<br />

films, Wayne’s character has never been able to exist in a domestic setting. Any home he is trying to make<br />

is incomplete or destroyed. The home as representative of civilization can never be a haven to Doniphon.<br />

He does not fit in that frame of society. While he can participate in the building of such a structure, of<br />

civilization, he will never be able to exist inside such an institution.<br />

The flashback tells of Stoddard’s willfully bringing civilization to Shinbone. He brings law books,<br />

teaches people how to read and write, and represents the town in the territorial legislature and then on<br />

national and international levels. He is the new hero of the people. In the “present” era of the film,<br />

Shinbone is portrayed as very modern with a large newspaper and established schools, a far cry from the<br />

town Ranse first encountered. The growth of Shinbone is attributed to Ranse. His arrival in Shinbone<br />

brought in a flush of new ideas that lead to growth and reform. Had he not come the civilization would not<br />

have stagnated.<br />

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