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Volu m e II - Purdue University Calumet

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Spear Bearer (see fig. 3).<br />

The basis of modern Western aesthetic theory coincides with the roots of Western philosophy. The<br />

philosopher Plato, who lived between the years of 384 and 322 BC, discussed art in terms of the beautiful. 3<br />

To Plato, the arts were produced in an attempt to portray an ultimately intangible idea. Beauty, while able<br />

to be captured in an ephemeral creation of man, is essentially infinite in its scope and application. In some<br />

ways, beauty is beyond human tampering – nothing man creates can add to<br />

or detract from the eternal nature of beauty, yet the quest for beauty is an<br />

intrinsic part of being human. 4<br />

Beauty is described by Diotima in Plato’s Symposium as a<br />

progression from the appreciation of the physical to an appreciation of the<br />

metaphysical, suggesting that all tangible beauty is the direct result of some<br />

knowledge that is beyond the immediately apparent. Beauty exists in levels,<br />

and the arts can be appreciated from all of these levels, but not necessarily<br />

understood. 5<br />

Aristotle, a student of Plato, agreed with Diotima to some extent,<br />

but placed the idea of levels of beauty within the sphere of the physical<br />

body, claiming that the pinnacle of beauty, and thus the thing that art<br />

Figure 3, Polykleitos, Spear Bearer,<br />

Roman copy after the original bronze,<br />

Greek High Classical, c. 450-440<br />

should attempt to portray, is the fitness of the human body to do age-appropriate work. A young man is<br />

beautiful because his body is perfectly suited to the athletic activities expected of him, whereas a man in the<br />

prime of his life is beautiful because his body is perfectly suited to the activities of warfare. 6<br />

This conception of art as a manifestation of beauty is somewhat disparate from the governing ideals of<br />

African art. While Aristotle only describes the beauty of a man, only women are venerated as possessing<br />

beauty in many African cultures. However, the beauty of an African woman oftentimes is determined by<br />

her body’s fitness for the appropriate activities expected of her, namely childbearing, just as Aristotle<br />

357

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