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Volu m e II - Purdue University Calumet

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people of the stage have to put aside their judgments of Dallas and trust that she can deliver the baby, just as<br />

Mrs. Mallory herself has to admit that she would need someone as low as Dallas to aide her. In this moment<br />

and in the following Indian battle, most of the people of the stagecoach band together and accept each other<br />

for their differences. This bond will not last once they reach Lordsburg.<br />

The very name “Lordsburg” implies a place of salvation, and safety. It suggests itself as a safe haven,<br />

representing civilization opposed to the dangerous wilderness full of violent savage Indians through which<br />

the coach has just passed. The town is intentionally named to juxtapose what the characters would actually<br />

find once they entered the town. Ford reveals the town itself to be decadent and evil. The streets are<br />

narrow and twisted, closed in by shadows and distorted buildings, and figures are distinct and ambiguous<br />

and appear untrustworthy. The inhabitants of Lordsburg are easily viewed in the background of the scenes.<br />

There are officious and haughty townswomen that perceive themselves to be at the highest level of society<br />

and form a literal wall with their bodies that Dallas cannot cross. This blockage shows that no matter how<br />

useful Dallas was to the stagecoach party, she will never be accepted by mainstream society. She is<br />

permanently relegated to the other part of town. The town of Lordsburg is filled with an oppressive<br />

darkness and populated by criminals like Luke Plummer and his gang, as well as a plethora of prostitutes<br />

and saloons.<br />

As Dallas and Ringo walk through the town the evening silence is pierced by raucous laughter and<br />

the strains of a honky tonk piano, which sharply contrasts with the classical music played during the scenes<br />

in the Valley. The lightness and openness of the Valley is meant to stand in stark contrast to this dark and<br />

oppressive place. The music is crass and symbolic of the type of people inhabiting it, while the music of the<br />

Valley was noble. Lordsburg is a dramatic inversion of Monument Valley. For Ringo it is clearly more<br />

treacherous than the desert. When the saloon is first glimpsed it is shown as an unfriendly smoky, stifling<br />

atmosphere. Its inhabitants are tense, and shifty. Through this saloon Ford has created a “wilderness<br />

landscape” within the “civilized” town. (Engel 179) Even when Plummer and his gang go outside the saloon<br />

293

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